"He who can take advice is sometimes superior to him who can give it"
About this Quote
Advice is cheap; actually swallowing it is expensive. Erica Jong’s line flips the cultural script that treats the advice-giver as the star: the wise elder, the hot-take artist, the self-help guru. She argues that receptivity can be a higher form of intelligence than performance. “Sometimes” is the key knife twist. Jong isn’t sentimental about humility; she’s pragmatic about power. The person who can take advice has something rarer than insight: the discipline to let their ego lose a round.
The subtext is a quiet critique of the charismatic explainer. Giving advice can be theater, a way to control the room while risking little. Taking it is exposure. It requires admitting you don’t already know, then living with the consequences of changing course. In that sense, the quote is less about manners than about agency: the listener is the one who does the hard work of translation, deciding what applies, what’s manipulation, what’s noise.
Context matters with Jong, a novelist whose work (especially Fear of Flying) helped normalize frank conversations about desire, freedom, and self-definition. In a culture that loves confident narrators, she’s suspicious of certainty. Her characters often run into the gap between what they want and what they’re told to want; advice, here, becomes a test of selfhood. The superior person isn’t the one dispensing wisdom from a safe distance, but the one strong enough to be coached, corrected, and changed without disappearing.
The subtext is a quiet critique of the charismatic explainer. Giving advice can be theater, a way to control the room while risking little. Taking it is exposure. It requires admitting you don’t already know, then living with the consequences of changing course. In that sense, the quote is less about manners than about agency: the listener is the one who does the hard work of translation, deciding what applies, what’s manipulation, what’s noise.
Context matters with Jong, a novelist whose work (especially Fear of Flying) helped normalize frank conversations about desire, freedom, and self-definition. In a culture that loves confident narrators, she’s suspicious of certainty. Her characters often run into the gap between what they want and what they’re told to want; advice, here, becomes a test of selfhood. The superior person isn’t the one dispensing wisdom from a safe distance, but the one strong enough to be coached, corrected, and changed without disappearing.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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