"He who talks much cannot talk well"
About this Quote
Talkativeness, Goldoni implies, is a kind of stage fog: it fills the room, disguises insecurity as energy, and leaves the audience straining for the point. Coming from an 18th-century playwright who made his name taming Italian comedy, the line isn’t a prim moralism about silence; it’s craft advice disguised as a jab. Goldoni spent his career reforming commedia dell’arte, where stock characters could riff endlessly. His innovation was to replace improvisational sprawl with written dialogue that lands. In that context, “talk much” isn’t just verbosity, it’s undisciplined performance.
The quote works because it treats speech like a limited resource. The more you spend, the less value each word holds. Goldoni’s “cannot” is blunt and theatrical: not “may not,” not “often doesn’t,” but a hard law of rhetoric. It’s also a social critique. In salons and courts, talking was currency; people performed intelligence through nonstop chatter. Goldoni punctures that economy by insisting that fluency without selection is noise, not persuasion.
Subtextually, it flatters the audience’s intelligence: good talk assumes listeners can handle omission, implication, timing. Comedy relies on that. A punchline needs air around it; a character’s vanity is funniest when he overexplains himself into a corner. Goldoni is telling us that eloquence isn’t volume, it’s control - and that the person who won’t stop talking is usually revealing more than intended, just not the thing they think they’re saying.
The quote works because it treats speech like a limited resource. The more you spend, the less value each word holds. Goldoni’s “cannot” is blunt and theatrical: not “may not,” not “often doesn’t,” but a hard law of rhetoric. It’s also a social critique. In salons and courts, talking was currency; people performed intelligence through nonstop chatter. Goldoni punctures that economy by insisting that fluency without selection is noise, not persuasion.
Subtextually, it flatters the audience’s intelligence: good talk assumes listeners can handle omission, implication, timing. Comedy relies on that. A punchline needs air around it; a character’s vanity is funniest when he overexplains himself into a corner. Goldoni is telling us that eloquence isn’t volume, it’s control - and that the person who won’t stop talking is usually revealing more than intended, just not the thing they think they’re saying.
Quote Details
| Topic | Wisdom |
|---|
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