"Hell hath no limits, nor is circumscribed In one self place, for where we are is hell, And where hell is there must we ever be"
About this Quote
Hell isn’t a pit you fall into; it’s a climate you carry. Marlowe’s line (from Doctor Faustus) lands with that unnerving modernity: damnation as psychology, not geography. The speaker isn’t describing a medieval dungeon with fire and chains so much as detonating a frightening idea for an audience raised on maps of the afterlife. If “where we are is hell,” then there’s no safe distance, no pilgrimage route, no loophole in the cosmos. Hell becomes portable, intimate, and, worst of all, self-renewing.
The intent is partly theological intimidation - a warning that separation from grace is total - but Marlowe’s subtext is colder: the real horror isn’t punishment; it’s consciousness. The line’s logic is airtight and claustrophobic, built on repetition (“where... where...”) and the circular trap of “must.” You can feel the door locking. “Circumscribed” does heavy lifting, mocking the human habit of containing fear inside a single “place.” Marlowe’s hell refuses boundaries the way guilt, obsession, or despair refuse them.
Context sharpens the blade. Doctor Faustus is a play about overreach, about a man who treats metaphysics like a contract negotiation. This speech punctures that fantasy of control. Even if you could bargain for pleasures, you can’t bargain your way out of being yourself. The devil doesn’t need walls when he can make a mind its own prison. In an era anxious about salvation and surveillance (divine and political), Marlowe turns the stage into a mirror: the most efficient inferno is the one you never leave.
The intent is partly theological intimidation - a warning that separation from grace is total - but Marlowe’s subtext is colder: the real horror isn’t punishment; it’s consciousness. The line’s logic is airtight and claustrophobic, built on repetition (“where... where...”) and the circular trap of “must.” You can feel the door locking. “Circumscribed” does heavy lifting, mocking the human habit of containing fear inside a single “place.” Marlowe’s hell refuses boundaries the way guilt, obsession, or despair refuse them.
Context sharpens the blade. Doctor Faustus is a play about overreach, about a man who treats metaphysics like a contract negotiation. This speech punctures that fantasy of control. Even if you could bargain for pleasures, you can’t bargain your way out of being yourself. The devil doesn’t need walls when he can make a mind its own prison. In an era anxious about salvation and surveillance (divine and political), Marlowe turns the stage into a mirror: the most efficient inferno is the one you never leave.
Quote Details
| Topic | Deep |
|---|---|
| Source | The Tragical History of Doctor Faustus (Doctor Faustus) — Christopher Marlowe; famous line from the play (commonly printed in early 17th-century editions). |
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