"Here I am, I still go on, you know, like the tides"
About this Quote
The line sounds both wry and quietly triumphant, a veteran performer acknowledging time while refusing to be defined by it. Angela Lansbury built a career that spanned seven decades, moving from precocious film roles in the 1940s to Broadway triumphs and into enduring television fame with Murder, She Wrote. Saying she goes on like the tides places her longevity in the register of nature rather than willpower alone. Tides do not strain; they return. They accept cycles of ebb and flow, rise and fall, with a patience that outlasts weather and fashion.
There is humility in the shrugging Here I am and the conversational you know. She is not staking a defiant claim so much as noting a simple fact: endurance can be steady, almost gentle. Artists often narrate their survival as struggle against the odds, but the tidal metaphor reframes persistence as rhythm. Careers crest and recede. Roles arrive in waves: Gaslight and The Picture of Dorian Gray, then a period of typecasting; later the reinvention of Mame and Sweeney Todd; the beloved warmth of Mrs. Potts in Beauty and the Beast; the late-life cameo in Mary Poppins Returns. Public attention shifts like shorelines. What matters is the reliable return.
There is also an acceptance of forces beyond the self. Tides are pulled by the moon; an actor’s path is tugged by audience tastes, industry changes, personal circumstances. Lansbury navigated all of that with craft and poise, stepping back when life demanded it and stepping forward when the moment called. The phrase still go on echoes the theater’s creed that the show must go on, but it softens it into something wiser: going on not as stubborn defiance, but as natural continuity. The power here is quiet, cumulative, and unstoppable, the kind of constancy that wears away obstacles simply by showing up, season after season.
There is humility in the shrugging Here I am and the conversational you know. She is not staking a defiant claim so much as noting a simple fact: endurance can be steady, almost gentle. Artists often narrate their survival as struggle against the odds, but the tidal metaphor reframes persistence as rhythm. Careers crest and recede. Roles arrive in waves: Gaslight and The Picture of Dorian Gray, then a period of typecasting; later the reinvention of Mame and Sweeney Todd; the beloved warmth of Mrs. Potts in Beauty and the Beast; the late-life cameo in Mary Poppins Returns. Public attention shifts like shorelines. What matters is the reliable return.
There is also an acceptance of forces beyond the self. Tides are pulled by the moon; an actor’s path is tugged by audience tastes, industry changes, personal circumstances. Lansbury navigated all of that with craft and poise, stepping back when life demanded it and stepping forward when the moment called. The phrase still go on echoes the theater’s creed that the show must go on, but it softens it into something wiser: going on not as stubborn defiance, but as natural continuity. The power here is quiet, cumulative, and unstoppable, the kind of constancy that wears away obstacles simply by showing up, season after season.
Quote Details
| Topic | Perseverance |
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