"Heroism in a bad cause"
About this Quote
"Heroism in a bad cause" is a scalpel of a phrase: it refuses the comforting idea that courage automatically ennobles whatever it touches. Coming from Karel Reisz, a director shaped by 20th-century ideological wreckage and the British New Wave's suspicion of polite myths, it reads like a warning label for stories that make the wrong people look magnificent.
The intent is deliberately unsettling. Reisz compresses a whole critique of spectacle into five words: bravery is a technique, not a moral guarantee. The subtext points straight at how cinema and politics collaborate in laundering motives. If you frame the camera low, swell the score, and give a character a clean arc, you can sell conviction as virtue. Reisz is calling out the seduction: audiences love competence under pressure, self-sacrifice, a spine-stiffening stand. We can be moved by those qualities even when they serve cruelty, repression, or self-deception.
It also reads as a rebuke to a certain kind of masculinity and nationalism that feeds on "noble" struggle. A bad cause needs heroes more than a good one does; it requires glamour to overcome scrutiny. That flips the usual moral economy: heroism becomes not the antidote to evil but one of its delivery systems.
In context, Reisz's era was full of "heroic" images attached to disastrous projects, from war propaganda to ideological fanaticism. The line doesn’t deny courage; it denies absolution.
The intent is deliberately unsettling. Reisz compresses a whole critique of spectacle into five words: bravery is a technique, not a moral guarantee. The subtext points straight at how cinema and politics collaborate in laundering motives. If you frame the camera low, swell the score, and give a character a clean arc, you can sell conviction as virtue. Reisz is calling out the seduction: audiences love competence under pressure, self-sacrifice, a spine-stiffening stand. We can be moved by those qualities even when they serve cruelty, repression, or self-deception.
It also reads as a rebuke to a certain kind of masculinity and nationalism that feeds on "noble" struggle. A bad cause needs heroes more than a good one does; it requires glamour to overcome scrutiny. That flips the usual moral economy: heroism becomes not the antidote to evil but one of its delivery systems.
In context, Reisz's era was full of "heroic" images attached to disastrous projects, from war propaganda to ideological fanaticism. The line doesn’t deny courage; it denies absolution.
Quote Details
| Topic | Ethics & Morality |
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