"Hollywood has an obligation to watch what they put out there. Kids do imitate what they see - good or bad"
About this Quote
Hollywood loves to sell itself as a dream factory with no fingerprints, but Morgan Brittany’s line insists there are fingerprints all over the product. By framing entertainment as something kids “do imitate,” she pulls movies and TV out of the safe zone of “just stories” and into the messier category of social modeling. It’s a parental sentence dressed up as an industry critique: the studio isn’t merely making content, it’s setting defaults for behavior, language, and attitude.
The word “obligation” is doing heavy lifting. Brittany isn’t asking for better taste; she’s invoking duty, the kind that implies negligence if ignored. That’s a classic move in culture wars around media effects: shift the argument from freedom to responsibility, from artists’ rights to downstream consequences. “Good or bad” sounds evenhanded, but it’s also a rhetorical trapdoor. If you accept that imitation happens, you’ve already accepted the premise that violent, sexist, reckless, or cruel portrayals carry a moral surcharge, even when framed as critique or comedy.
As an actress, Brittany speaks with insider proximity but outsider leverage. Performers often occupy the uncomfortable middle: they benefit from spectacle while facing public blame when spectacle is judged harmful. Her intent reads as reputational self-defense and civic concern braided together: don’t make me complicit, and don’t pretend the audience is untouched. The subtext is about power. Hollywood gets to shape the atmosphere kids grow up breathing; Brittany is arguing it should also be accountable for the air quality.
The word “obligation” is doing heavy lifting. Brittany isn’t asking for better taste; she’s invoking duty, the kind that implies negligence if ignored. That’s a classic move in culture wars around media effects: shift the argument from freedom to responsibility, from artists’ rights to downstream consequences. “Good or bad” sounds evenhanded, but it’s also a rhetorical trapdoor. If you accept that imitation happens, you’ve already accepted the premise that violent, sexist, reckless, or cruel portrayals carry a moral surcharge, even when framed as critique or comedy.
As an actress, Brittany speaks with insider proximity but outsider leverage. Performers often occupy the uncomfortable middle: they benefit from spectacle while facing public blame when spectacle is judged harmful. Her intent reads as reputational self-defense and civic concern braided together: don’t make me complicit, and don’t pretend the audience is untouched. The subtext is about power. Hollywood gets to shape the atmosphere kids grow up breathing; Brittany is arguing it should also be accountable for the air quality.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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