"Homer was able to give us no information relating to the truth, for he wrote of human rather than divine things"
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Lactantius is doing something sly here: he flatters Homer with one hand while disqualifying him with the other. “Able” sounds almost generous, as if the poet simply lacked the right material. But the sentence is a gatekeeping move dressed up as literary criticism, staking a Christian claim on what counts as “truth” and who gets to speak for it. Homer doesn’t fail because he’s inaccurate; he fails because he’s aimed at the wrong target.
The pivot is the hierarchy embedded in “human rather than divine things.” In late Roman Christian polemic, the divine isn’t just a topic; it’s a credential. Lactantius, writing as Christianity is pushing from persecuted sect to imperial worldview, treats pagan epic as a brilliant but fundamentally provincial art: gorgeous narratives about mortals, useless for metaphysical certainty. That’s the subtext: the classics can be admired, even mined for style, but they cannot be allowed to arbitrate reality.
It also reframes authority. Homer, in the Roman imagination, is a cultural pillar, a near-prophet of the old order. Lactantius strips him of that prophetic aura by narrowing “information relating to the truth” to revealed theology. Truth becomes less a matter of observation or moral insight and more a matter of doctrinal access. The rhetorical trick is its apparent modesty: he isn’t attacking Homer’s genius; he’s relocating it to a lower rung. Admire the poet, he implies, but don’t mistake art about people for knowledge about God.
The pivot is the hierarchy embedded in “human rather than divine things.” In late Roman Christian polemic, the divine isn’t just a topic; it’s a credential. Lactantius, writing as Christianity is pushing from persecuted sect to imperial worldview, treats pagan epic as a brilliant but fundamentally provincial art: gorgeous narratives about mortals, useless for metaphysical certainty. That’s the subtext: the classics can be admired, even mined for style, but they cannot be allowed to arbitrate reality.
It also reframes authority. Homer, in the Roman imagination, is a cultural pillar, a near-prophet of the old order. Lactantius strips him of that prophetic aura by narrowing “information relating to the truth” to revealed theology. Truth becomes less a matter of observation or moral insight and more a matter of doctrinal access. The rhetorical trick is its apparent modesty: he isn’t attacking Homer’s genius; he’s relocating it to a lower rung. Admire the poet, he implies, but don’t mistake art about people for knowledge about God.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
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