"House was the first film where I had no influence on the script. I had to buy the script with the game rights"
About this Quote
The key phrase is “buy the script with the game rights.” It quietly reverses the hierarchy people assume in adaptations. The game isn’t the sacred text; it’s the leverage. The script is the thing you’re forced to take along with the real prize: an IP with built-in awareness, a pre-sold audience, a marketing hook. Boll’s intent is pragmatic, even a little defensive: if the movie doesn’t feel authored, blame the packaging. He wants you to understand the constraints of the machine, and to see him as someone navigating it rather than merely botching it.
The subtext is also a critique of how licensed properties get made. Creative control is often less about vision than contract terms, bundling, and who owns what. Coming from a director whose reputation was forged in the furnace of video game adaptations, the line doubles as a candid map of the economics that made his filmography possible: not inspiration, but acquisition.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Boll, Uwe. (2026, January 15). House was the first film where I had no influence on the script. I had to buy the script with the game rights. FixQuotes. https://fixquotes.com/quotes/house-was-the-first-film-where-i-had-no-influence-154240/
Chicago Style
Boll, Uwe. "House was the first film where I had no influence on the script. I had to buy the script with the game rights." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/house-was-the-first-film-where-i-had-no-influence-154240/.
MLA Style (9th ed.)
"House was the first film where I had no influence on the script. I had to buy the script with the game rights." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/house-was-the-first-film-where-i-had-no-influence-154240/. Accessed 11 Feb. 2026.





