"How blunt are all the arrows of thy quiver in comparison with those of guilt"
About this Quote
Blair lands the line like a Calvinist gut-punch: whatever injuries you think the world can throw at you, guilt is the weapon that actually draws blood. The image does the heavy lifting. A “quiver” suggests an arsenal of harms - insults, misfortune, enemies, fate itself. But Blair calls those arrows “blunt,” a deliberately wrong adjective for something meant to pierce. He’s telling you that ordinary suffering, even when it looks sharp, can be endured; the real penetration happens internally, when conscience turns into an executioner.
The second-person “thy” makes it intimate and accusatory. This isn’t abstract moral philosophy; it’s a direct address, the voice of a preacher-poet leaning over the pulpit rail. The subtext is theological and psychological at once: guilt is not merely an emotion but a verdict. It doesn’t need an external attacker because it recruits the self as both target and archer. That’s why it outclasses every other “arrow” - it keeps firing after the battle ends.
Context matters. Blair wrote in an era steeped in Protestant introspection, when salvation and damnation were felt as daily pressures, not distant doctrines. His most famous work, The Grave, trades in death’s proximity to make moral accounting unavoidable. This line fits that world: death strips away distractions, and guilt becomes the one pain you can’t rationalize away, because it speaks in your own voice.
The second-person “thy” makes it intimate and accusatory. This isn’t abstract moral philosophy; it’s a direct address, the voice of a preacher-poet leaning over the pulpit rail. The subtext is theological and psychological at once: guilt is not merely an emotion but a verdict. It doesn’t need an external attacker because it recruits the self as both target and archer. That’s why it outclasses every other “arrow” - it keeps firing after the battle ends.
Context matters. Blair wrote in an era steeped in Protestant introspection, when salvation and damnation were felt as daily pressures, not distant doctrines. His most famous work, The Grave, trades in death’s proximity to make moral accounting unavoidable. This line fits that world: death strips away distractions, and guilt becomes the one pain you can’t rationalize away, because it speaks in your own voice.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | The Grave (poem), 1743, Robert Blair — line attributed to Robert Blair's long poem The Grave. |
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