"How far that little candle throws its beams! So shines a good deed in a naughty world"
About this Quote
A tiny flame is a rebuke to the room that surrounds it. Shakespeare’s image flatters goodness while refusing to romanticize the setting: the world is “naughty,” not innocently flawed. That single adjective does a lot of work. It carries moral judgment, yes, but also a hint of mischief and appetite - the sense that wrongdoing isn’t rare or exotic, it’s the ambient weather. Against that backdrop, the “little candle” becomes less a saintly symbol than a practical technology: light that travels, that reaches, that changes what people can see.
The line’s power comes from its scale-shift. Shakespeare doesn’t compare virtue to the sun or some grand moral force; he picks something small and domestic, the kind of light you can hold in your hand. The subtext is quietly radical: a good deed doesn’t need an army, a manifesto, or perfect purity to matter. Its influence is disproportionate precisely because the surrounding darkness is so normal. In a “naughty world,” decency reads as revelation.
Context sharpens the point. In The Merchant of Venice, the candle metaphor appears amid disguises, contracts, and moral bargaining - a play obsessed with appearances and the price of righteousness. The line functions like a momentary clearing in a fog of legalism and resentment: goodness as illumination rather than scorekeeping. It’s also a warning. Light throws beams; it exposes. A good deed doesn’t just comfort the virtuous, it makes everyone else look suddenly, unmistakably, a little more accountable.
The line’s power comes from its scale-shift. Shakespeare doesn’t compare virtue to the sun or some grand moral force; he picks something small and domestic, the kind of light you can hold in your hand. The subtext is quietly radical: a good deed doesn’t need an army, a manifesto, or perfect purity to matter. Its influence is disproportionate precisely because the surrounding darkness is so normal. In a “naughty world,” decency reads as revelation.
Context sharpens the point. In The Merchant of Venice, the candle metaphor appears amid disguises, contracts, and moral bargaining - a play obsessed with appearances and the price of righteousness. The line functions like a momentary clearing in a fog of legalism and resentment: goodness as illumination rather than scorekeeping. It’s also a warning. Light throws beams; it exposes. A good deed doesn’t just comfort the virtuous, it makes everyone else look suddenly, unmistakably, a little more accountable.
Quote Details
| Topic | Kindness |
|---|---|
| Source | The Merchant of Venice, William Shakespeare — Act 5, Scene 1. Line commonly printed "How far that little candle throws his beams! So shines a good deed in a naughty world." (variant pronoun often modernized to "its") |
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