"However saying that I totally support the concept of civil partnerships in the eyes of the law, and think it a disgrace that same sex couples have had to wait so long for legal rights, protection and recognition"
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Rickitt’s line is doing two jobs at once: staking out solidarity while inoculating himself against the culture-war blowback that used to come with saying it out loud. The giveaway is the careful scaffolding of “in the eyes of the law.” He isn’t just endorsing love or lifestyle; he’s anchoring the argument in fairness, bureaucracy, and civic legitimacy. That framing matters because it shifts the debate from private morality to public responsibility, where discrimination looks less like “difference of opinion” and more like an administrative failure.
The sentence’s slightly clunky, breathless construction feels revealing. “However” implies he’s responding to a prior objection or anticipated misunderstanding, the classic celebrity maneuver of clarifying: don’t misquote me, don’t flatten me into a slogan. It’s defensive, but also savvy: it acknowledges that public statements about LGBTQ rights have historically come with a cost, especially for actors whose marketability is treated as fragile.
Then comes the moral charge: “disgrace.” That word drags the issue out of policy-speak and into reputation. A disgrace to whom? To the state, to society, to the audience that likes to imagine itself modern. By emphasizing “wait so long,” he centers delay as harm - not just the absence of rights, but the indignity of postponed recognition. The subtext is impatience with incrementalism: civil partnerships aren’t framed as a special favor, but as overdue baseline protections. For a pop-culture figure, it’s a pointed way of turning empathy into an indictment without sounding like a manifesto.
The sentence’s slightly clunky, breathless construction feels revealing. “However” implies he’s responding to a prior objection or anticipated misunderstanding, the classic celebrity maneuver of clarifying: don’t misquote me, don’t flatten me into a slogan. It’s defensive, but also savvy: it acknowledges that public statements about LGBTQ rights have historically come with a cost, especially for actors whose marketability is treated as fragile.
Then comes the moral charge: “disgrace.” That word drags the issue out of policy-speak and into reputation. A disgrace to whom? To the state, to society, to the audience that likes to imagine itself modern. By emphasizing “wait so long,” he centers delay as harm - not just the absence of rights, but the indignity of postponed recognition. The subtext is impatience with incrementalism: civil partnerships aren’t framed as a special favor, but as overdue baseline protections. For a pop-culture figure, it’s a pointed way of turning empathy into an indictment without sounding like a manifesto.
Quote Details
| Topic | Equality |
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