"However, very recently I have come to an understanding that complex music is not necessarily pleasant"
About this Quote
Uematsu’s phrasing (“come to an understanding”) suggests experience, not theory: years of writing music that had to work instantly, under gameplay pressure, and loop without exhausting the listener. Video game music lives inside attention that’s already split. If the harmony is constantly flexing, the listener doesn’t get release; they get cognitive fatigue. “Not necessarily” is the key hedge: he isn’t trashing complexity, he’s demoting it from default virtue.
The subtext is a values statement about communication. Pleasant doesn’t mean simplistic; it means the music delivers something legible - a melody you can carry, an emotion you can name, a mood that supports a scene instead of competing with it. Uematsu’s legacy is built on that kind of clarity: themes that feel inevitable, not like demonstrations. The line reads as a quiet rebuke to composer ego, and a reminder that craft is measured by what lands, not what’s hardest to write.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Uematsu, Nobuo. (2026, January 15). However, very recently I have come to an understanding that complex music is not necessarily pleasant. FixQuotes. https://fixquotes.com/quotes/however-very-recently-i-have-come-to-an-78524/
Chicago Style
Uematsu, Nobuo. "However, very recently I have come to an understanding that complex music is not necessarily pleasant." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/however-very-recently-i-have-come-to-an-78524/.
MLA Style (9th ed.)
"However, very recently I have come to an understanding that complex music is not necessarily pleasant." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/however-very-recently-i-have-come-to-an-78524/. Accessed 12 Feb. 2026.






