"I absolutely want to have a career where you make'em laugh and make'em cry. It's all theater"
About this Quote
Carrey’s line is a mission statement disguised as a shrug. “Make’em laugh and make’em cry” lays out the classic showbiz promise of range, but the phrasing matters: it’s not “make people,” it’s “make’em” - blunt, workmanlike, a performer talking about effect, not self-expression. The intent is control. Comedy and drama aren’t opposing virtues here; they’re two levers that move an audience’s body in different directions. Either way, you’re still steering.
Then he lands the kicker: “It’s all theater.” That’s both an excuse and a reveal. On one level, Carrey is legitimizing broad comedy by putting it under the same umbrella as prestige acting. On another, he’s admitting the trick: sincerity is a technique. If you can sell a rubber-faced punchline, you can sell heartbreak - because both are constructed moments, timed and calibrated.
The subtext carries the tension that defines his career: the clown who wants to be taken seriously without abandoning the clown. In the 1990s he became an avatar of maximalist comedy (Ace Ventura, The Mask), yet his most enduring cultural impact may be the uneasy turn toward emotional realism (The Truman Show, Eternal Sunshine). “It’s all theater” reads like a defense against gatekeepers who treat comedy as lesser, and also a private reminder that even the rawest screen cry is, at some level, choreography. The power of the quote is its honesty about performance while still insisting on feeling.
Then he lands the kicker: “It’s all theater.” That’s both an excuse and a reveal. On one level, Carrey is legitimizing broad comedy by putting it under the same umbrella as prestige acting. On another, he’s admitting the trick: sincerity is a technique. If you can sell a rubber-faced punchline, you can sell heartbreak - because both are constructed moments, timed and calibrated.
The subtext carries the tension that defines his career: the clown who wants to be taken seriously without abandoning the clown. In the 1990s he became an avatar of maximalist comedy (Ace Ventura, The Mask), yet his most enduring cultural impact may be the uneasy turn toward emotional realism (The Truman Show, Eternal Sunshine). “It’s all theater” reads like a defense against gatekeepers who treat comedy as lesser, and also a private reminder that even the rawest screen cry is, at some level, choreography. The power of the quote is its honesty about performance while still insisting on feeling.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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