"I actually started singing those songs six or seven years ago, when I was an opening act for Frank Sinatra"
About this Quote
Name-dropping here isnt accidental; its a credibility grenade lobbed with a smile. Pia Zadora frames her relationship to "those songs" not as a recent career pivot or a convenient nostalgia play, but as something she earned in the room, years ago, under the harshest possible spotlight: opening for Frank Sinatra. For an actress crossing lanes into singing, that detail matters. It preempts the easy dismissal that she is dabbling. It also quietly invites you to imagine the audacity and pressure of that gig: an opening act isnt just a warm-up, its a test of whether you can hold attention before the main event arrives.
The wording does a lot of social work. "Actually" signals correction, as if responding to skepticism or a narrative shes heard about herself. "Six or seven years ago" adds a casual imprecision that reads as lived-in, not rehearsed PR copy. She isnt counting for the record; she is gesturing toward a past that feels real. The subtext is: Ive been doing this longer than you think, and I was vetted by the most intimidating kind of audience, one that came for Sinatra and tolerated no substitutes.
Theres a second, sharper undercurrent: power by proximity. In entertainment, legitimacy often travels through association. Zadora invokes Sinatra as cultural capital and as shield. If you were accepted on that bill, the quote implies, you belong in the lineage of American songbook performance - not as an interloper, but as someone whos already paid the dues behind the curtain.
The wording does a lot of social work. "Actually" signals correction, as if responding to skepticism or a narrative shes heard about herself. "Six or seven years ago" adds a casual imprecision that reads as lived-in, not rehearsed PR copy. She isnt counting for the record; she is gesturing toward a past that feels real. The subtext is: Ive been doing this longer than you think, and I was vetted by the most intimidating kind of audience, one that came for Sinatra and tolerated no substitutes.
Theres a second, sharper undercurrent: power by proximity. In entertainment, legitimacy often travels through association. Zadora invokes Sinatra as cultural capital and as shield. If you were accepted on that bill, the quote implies, you belong in the lineage of American songbook performance - not as an interloper, but as someone whos already paid the dues behind the curtain.
Quote Details
| Topic | Music |
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