"I actually then went on to direct an after-school special where one of the characters was deaf. They hired me without even knowing I had any connection to the community"
About this Quote
There is a quiet sting in Masur's matter-of-fact recollection: the industry did the right thing by accident. An after-school special, that very 80s-90s moral-delivery vehicle, is supposed to model social responsibility. Yet Masur’s point is that the system’s “inclusion” often hinges less on intention than on coincidence and optics. They cast or hired someone, checked the box, moved on - without the basic curiosity to ask who was in the room.
The subtext lands in two directions at once. On the surface, it’s a modest flex: he had a genuine connection to the Deaf community, and that knowledge could deepen the work. Underneath, it’s an indictment of how rarely that connection is treated as relevant. The line “without even knowing” does the heavy lifting: it exposes a production culture that sees disability as a storyline problem to solve, not a community to consult. The character is deaf, but deafness is treated as a prop unless someone insists otherwise.
Masur, as an actor rather than a theorist, keeps the critique grounded in professional reality: hiring is casual, relationships are thin, and good intentions are frequently retrofitted after the fact. The quote reads like a small backstage anecdote, but it points to a larger pattern in entertainment history - where representation existed, yet authenticity was optional, and the people most equipped to shape it were often invisible until they volunteered themselves.
The subtext lands in two directions at once. On the surface, it’s a modest flex: he had a genuine connection to the Deaf community, and that knowledge could deepen the work. Underneath, it’s an indictment of how rarely that connection is treated as relevant. The line “without even knowing” does the heavy lifting: it exposes a production culture that sees disability as a storyline problem to solve, not a community to consult. The character is deaf, but deafness is treated as a prop unless someone insists otherwise.
Masur, as an actor rather than a theorist, keeps the critique grounded in professional reality: hiring is casual, relationships are thin, and good intentions are frequently retrofitted after the fact. The quote reads like a small backstage anecdote, but it points to a larger pattern in entertainment history - where representation existed, yet authenticity was optional, and the people most equipped to shape it were often invisible until they volunteered themselves.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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