Creativity Quote by George Duke

The phrase "pierce the UK and European market" lands with a telling mix of ambition and humility: Duke is talking like a working musician who knows that great art doesn’t automatically translate into distribution, radio play, tour support, or press. “Pierce” isn’t glamorous language; it’s tactical. It acknowledges the invisible membrane between being respected and being booked, between cult admiration and real foothold. By naming Dome Records’ “assistance and expertise,” he’s not just thanking a label - he’s signaling legitimacy and infrastructure, the unsexy machinery that turns jazz-funk brilliance into actual momentum overseas.

Then he pivots, and the heart shows. “I really like playing there and I want to do more!” is almost disarmingly plain, which is exactly why it works: after the market talk, it re-centers the motive as performance, not conquest. Duke’s career straddled jazz virtuosity, R&B accessibility, and studio polish; Europe and the UK have long offered a particular kind of attentive listening culture for artists who live between categories. That’s the subtext of “audiences get quite involved and really listen to what’s happening.” He’s praising a crowd that treats nuance as the main event - the harmonic turns, the improvisational conversation, the groove’s micro-shifts.

Contextually, it reads like an artist navigating late-career globalization: the music is already world-class; the question is whether the business can catch up, and whether the right audiences can meet it with the kind of focus the music demands.