"I also know that I am not a great technician"
About this Quote
Self-deprecation can be a dodge, but in John Fahey's mouth it reads like a mission statement. "I also know that I am not a great technician" is the kind of line you expect from a guitarist whose playing sounds like it was excavated rather than polished: rough grain, strange angles, a stubborn refusal to behave like the conservatory ideal.
The key word is "also". It implies an argument already in progress, a list of credentials being weighed against the usual yardstick of virtuosity. Fahey is conceding the scorecard before anyone else can slap it down, then quietly changing the rules. In the American guitar culture that crowned speed and clean execution (especially as rock and later shred mythology took hold), admitting you aren't a technician is supposed to be disqualifying. Fahey uses it to clear space for something else: composition, atmosphere, narrative, and that eerie sense of time his "American Primitive" style helped name.
The subtext is protective and provocative at once. Protective, because the line inoculates him against the lazy critique that his playing is "sloppy". Provocative, because it dares the listener to ask what technique is for. Fahey's music isn't trying to win a contest; it's trying to build a haunted geography out of open tunings, folk fragments, blues ghosts, and sudden modernist turns.
Context matters: Fahey operated outside the star system, often recording on his own label, chasing an idiosyncratic vision that later generations would recognize as foundational to indie guitar and ambient-leaning Americana. The quote is humility with an edge: a reminder that mastery isn't always about control; sometimes it's about having the nerve to sound like yourself.
The key word is "also". It implies an argument already in progress, a list of credentials being weighed against the usual yardstick of virtuosity. Fahey is conceding the scorecard before anyone else can slap it down, then quietly changing the rules. In the American guitar culture that crowned speed and clean execution (especially as rock and later shred mythology took hold), admitting you aren't a technician is supposed to be disqualifying. Fahey uses it to clear space for something else: composition, atmosphere, narrative, and that eerie sense of time his "American Primitive" style helped name.
The subtext is protective and provocative at once. Protective, because the line inoculates him against the lazy critique that his playing is "sloppy". Provocative, because it dares the listener to ask what technique is for. Fahey's music isn't trying to win a contest; it's trying to build a haunted geography out of open tunings, folk fragments, blues ghosts, and sudden modernist turns.
Context matters: Fahey operated outside the star system, often recording on his own label, chasing an idiosyncratic vision that later generations would recognize as foundational to indie guitar and ambient-leaning Americana. The quote is humility with an edge: a reminder that mastery isn't always about control; sometimes it's about having the nerve to sound like yourself.
Quote Details
| Topic | Humility |
|---|---|
| Source | Help us find the source |
More Quotes by John
Add to List





