"I always considered myself very successful even before the success of Secrets and Lies"
About this Quote
Blethyn’s line is a quiet rebuke to the way culture keeps score. By insisting she felt “very successful” before the breakout acclaim of Secrets and Lies, she’s separating craft from coronation: the work mattered, the validation was just late to arrive. It’s a statement that lands because it refuses the usual myth of the “before” as struggle and the “after” as arrival. Instead, she frames success as an internal ledger, not an industry headline.
The phrasing does a lot of subtle labor. “Always” asserts continuity, a steadiness that undercuts the narrative whiplash celebrity profiles love. “Considered myself” foregrounds self-authorship; she’s not asking the audience for permission. Then the slightly clunky repetition - “successful” and “the success” - reads less like polished PR and more like an actor thinking out loud, which makes it feel earned rather than defensive. She’s not denying that Secrets and Lies changed her public status; she’s refusing to let it rewrite her private history.
Context matters: Secrets and Lies (1996) wasn’t just a hit, it was prestige - Leigh’s kitchen-sink intensity, award attention, a role that can rebrand an actor overnight. Blethyn’s subtext is a reminder of how arbitrary that “overnight” can be. The industry didn’t suddenly make her good; it finally looked her way. In an economy built on visibility, her line is a small act of sovereignty: success as dignity, competence, and persistence, not the timing of applause.
The phrasing does a lot of subtle labor. “Always” asserts continuity, a steadiness that undercuts the narrative whiplash celebrity profiles love. “Considered myself” foregrounds self-authorship; she’s not asking the audience for permission. Then the slightly clunky repetition - “successful” and “the success” - reads less like polished PR and more like an actor thinking out loud, which makes it feel earned rather than defensive. She’s not denying that Secrets and Lies changed her public status; she’s refusing to let it rewrite her private history.
Context matters: Secrets and Lies (1996) wasn’t just a hit, it was prestige - Leigh’s kitchen-sink intensity, award attention, a role that can rebrand an actor overnight. Blethyn’s subtext is a reminder of how arbitrary that “overnight” can be. The industry didn’t suddenly make her good; it finally looked her way. In an economy built on visibility, her line is a small act of sovereignty: success as dignity, competence, and persistence, not the timing of applause.
Quote Details
| Topic | Success |
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