"I always do an all-night horror marathon on Saturdays where we start at seven and go until five in the morning"
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This is Tarantino in his native register: cinephile-as-ringmaster, turning a private obsession into a ritual with start times and end times like a heist plan. The detail is the point. “Always,” “Saturdays,” “start at seven,” “until five” reads less like casual bragging than a manifesto for discipline disguised as indulgence. He’s not just watching movies; he’s curating an endurance test that makes fandom performative, communal, and a little punishing - which is exactly how cult cinema becomes culture rather than mere content.
The “horror marathon” matters, too. Horror is the genre where filmmaking shows its seams: cheap tricks, big reactions, pure mechanics. Tarantino’s work has always been about the pleasure of construction - tension, release, stylized violence, the audience’s complicity. An all-night run of horror isn’t escapism; it’s research and reverence, a way of keeping his senses calibrated to what makes people squirm, laugh, or cheer at the wrong moment.
There’s subtext about time, and about refusing respectable pacing. Going until five in the morning rejects the tidy, adult idea of leisure. It’s the movie-store-clerk ethos he helped mythologize: culture as obsessive accumulation, taste as a lived practice, not a posture. In an era of streaming’s frictionless sampling, the marathon is a dare: commit, stay awake, let the films rewire your nervous system.
The “horror marathon” matters, too. Horror is the genre where filmmaking shows its seams: cheap tricks, big reactions, pure mechanics. Tarantino’s work has always been about the pleasure of construction - tension, release, stylized violence, the audience’s complicity. An all-night run of horror isn’t escapism; it’s research and reverence, a way of keeping his senses calibrated to what makes people squirm, laugh, or cheer at the wrong moment.
There’s subtext about time, and about refusing respectable pacing. Going until five in the morning rejects the tidy, adult idea of leisure. It’s the movie-store-clerk ethos he helped mythologize: culture as obsessive accumulation, taste as a lived practice, not a posture. In an era of streaming’s frictionless sampling, the marathon is a dare: commit, stay awake, let the films rewire your nervous system.
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| Topic | Movie |
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