"I always have the feeling in these low states that something good is about to happen. That's when I feel the fullest, the rawest, the closest to myself"
About this Quote
Kinski takes a mood most people treat like a warning light and rewires it into a sensor. “These low states” aren’t romanticized as cute melancholy; they’re described as a threshold, the place where the usual self-management drops away. The line hinges on a quiet contradiction: feeling “low” but also “fullest.” That paradox is the engine. When you’re up, you can perform competence. When you’re down, the performance gets too expensive to maintain, and what’s left can feel brutally honest.
Her phrasing is bodily and immediate: “rawest,” “closest to myself.” It’s actor language without the craft talk. She’s not arguing that pain is good; she’s describing the strange clarity that can follow despair, when the world stops asking you to be likable and you stop bargaining with yourself. The expectation that “something good is about to happen” reads less like optimism than like intuition earned through repetition: you survive enough dips to recognize the moment right before the psyche reorganizes.
Context matters because Kinski’s public image has long been tied to intensity and exposure - an on-screen magnetism that often looks like vulnerability pushed to its edge. This quote fits that lineage of late-20th-century art culture where breakdown and breakthrough sit uncomfortably close. The subtext is both seductive and risky: it grants emotional crisis a narrative payoff. It’s compelling because it admits what many people privately suspect - that rock bottom can feel like contact with the real - while leaving open the harder question of whether we’re hearing wisdom, coping, or a self-myth that helps an artist keep going.
Her phrasing is bodily and immediate: “rawest,” “closest to myself.” It’s actor language without the craft talk. She’s not arguing that pain is good; she’s describing the strange clarity that can follow despair, when the world stops asking you to be likable and you stop bargaining with yourself. The expectation that “something good is about to happen” reads less like optimism than like intuition earned through repetition: you survive enough dips to recognize the moment right before the psyche reorganizes.
Context matters because Kinski’s public image has long been tied to intensity and exposure - an on-screen magnetism that often looks like vulnerability pushed to its edge. This quote fits that lineage of late-20th-century art culture where breakdown and breakthrough sit uncomfortably close. The subtext is both seductive and risky: it grants emotional crisis a narrative payoff. It’s compelling because it admits what many people privately suspect - that rock bottom can feel like contact with the real - while leaving open the harder question of whether we’re hearing wisdom, coping, or a self-myth that helps an artist keep going.
Quote Details
| Topic | Hope |
|---|---|
| Source | Help us find the source |
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