"I always imagined that to bring an orchestra to play together is not enough for a conductor"
About this Quote
Masur is taking a polite job description - keep time, cue entrances, prevent catastrophe - and calling it artistically insufficient. The line lands because it refuses the lowest standard of competence: an orchestra can "play together" under fear, routine, or sheer professionalism. That kind of unity is mechanical. Masur, who built his reputation on long-term trust with ensembles (and famously carried moral authority in Leipzig during 1989), is arguing for a deeper kind of coordination: shared intention.
The phrasing matters. "I always imagined" sounds modest, even dreamy, but it smuggles in a firm aesthetic ethic. He is not scolding other conductors outright; he's defining the conductor's real jurisdiction as psychological and spiritual, not merely technical. The subtext is that musicians are not interchangeable parts. They are highly trained adults with their own pride, attention spans, and inner narratives. If all you do is align their downbeats, you're leaving the most powerful instrument untouched: collective belief.
There's also a quiet rebuke to modern orchestral culture, where rehearsal time shrinks, touring expands, and "togetherness" becomes the measurable KPI. Masur points toward what can't be captured by a metronome or a clean ensemble attack: the feeling that a phrase has a destination, that silence has weight, that risk is permitted. In his world, the conductor isn't a traffic cop. He's a maker of conditions - clarity, trust, tension - under which a hundred individuals choose to become one voice.
The phrasing matters. "I always imagined" sounds modest, even dreamy, but it smuggles in a firm aesthetic ethic. He is not scolding other conductors outright; he's defining the conductor's real jurisdiction as psychological and spiritual, not merely technical. The subtext is that musicians are not interchangeable parts. They are highly trained adults with their own pride, attention spans, and inner narratives. If all you do is align their downbeats, you're leaving the most powerful instrument untouched: collective belief.
There's also a quiet rebuke to modern orchestral culture, where rehearsal time shrinks, touring expands, and "togetherness" becomes the measurable KPI. Masur points toward what can't be captured by a metronome or a clean ensemble attack: the feeling that a phrase has a destination, that silence has weight, that risk is permitted. In his world, the conductor isn't a traffic cop. He's a maker of conditions - clarity, trust, tension - under which a hundred individuals choose to become one voice.
Quote Details
| Topic | Leadership |
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