"I always say to young people when they ask me how I work, I always say to them, the only time you've ever going to do something good is if you have a good client. And by good I mean all kinds of things"
About this Quote
Halprin slips a career’s worth of design politics into a sentence that sounds almost offhand. He’s not mythologizing inspiration or touting some lone-genius method; he’s relocating authorship. “The only time you’re ever going to do something good is if you have a good client” is a quiet rebuke to the romantic idea that architecture is primarily about vision. For Halprin, “good” isn’t an aesthetic badge handed down by critics. It’s a condition of collaboration: trust, patience, money, institutional backing, and the willingness to stomach risk when a project stops looking safe.
The repetition and looseness - “I always say… I always say… good… good” - matters. It reads like shop talk, a seasoned practitioner refusing the clean aphorism. That trailing clause, “And by good I mean all kinds of things,” is the tell. He’s signaling that the client’s “goodness” is moral, logistical, and political at once: a good client defends the work from committees, understands public space as more than liability, and accepts that strong design may provoke backlash before it wins affection.
Context makes the message sharper. Halprin’s legacy is largely public-facing landscapes and plazas - work that lives or dies by civic agencies, developers, and city councils. In that world, the “client” isn’t a single person; it’s a shifting coalition with veto power. The subtext to young designers is bracing: talent is nonnegotiable, but it’s not sufficient. If you want to make work that lasts, learn how to choose patrons, cultivate allies, and translate ambition into something a client can champion without sanding it down.
The repetition and looseness - “I always say… I always say… good… good” - matters. It reads like shop talk, a seasoned practitioner refusing the clean aphorism. That trailing clause, “And by good I mean all kinds of things,” is the tell. He’s signaling that the client’s “goodness” is moral, logistical, and political at once: a good client defends the work from committees, understands public space as more than liability, and accepts that strong design may provoke backlash before it wins affection.
Context makes the message sharper. Halprin’s legacy is largely public-facing landscapes and plazas - work that lives or dies by civic agencies, developers, and city councils. In that world, the “client” isn’t a single person; it’s a shifting coalition with veto power. The subtext to young designers is bracing: talent is nonnegotiable, but it’s not sufficient. If you want to make work that lasts, learn how to choose patrons, cultivate allies, and translate ambition into something a client can champion without sanding it down.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
More Quotes by Lawrence
Add to List







