"I always think that the most delightful thing about traveling is to always be running into Americans and to always feel at home"
About this Quote
Leave it to Anita Loos to make a line about travel sound like a compliment while quietly turning the knife. On the surface, she’s praising that cozy thrill of recognition abroad: you cross an ocean, change currencies, mangle a menu, and then - relief - an American voice cuts through the air like a familiar radio station. But Loos was a writer with a calibrated ear for social comedy, and the sentence is built like one of her best punchlines: the “delight” of traveling is not discovery, it’s reassurance.
The repetition of “always” does the real work. It’s not a one-off coincidence; it’s a habit, a dependence. Travel becomes less an encounter with otherness than a mobile extension of home, a way to collect the feeling of sophistication without paying the price of disorientation. The subtext is a send-up of the American tourist as a person who wants the world, but on American terms: foreign scenery with domestic comfort, novelty with guardrails.
Loos wrote in a period when American money and cultural confidence were increasingly portable, when transatlantic travel was glamorous but also a stage for national self-regard. Her wit catches the paradox of cosmopolitanism as performance. You can claim you’ve “traveled” while spending the whole trip looking for your own reflection - in accents, manners, and the reassuring notion that wherever you go, you’re still the center of the story.
The repetition of “always” does the real work. It’s not a one-off coincidence; it’s a habit, a dependence. Travel becomes less an encounter with otherness than a mobile extension of home, a way to collect the feeling of sophistication without paying the price of disorientation. The subtext is a send-up of the American tourist as a person who wants the world, but on American terms: foreign scenery with domestic comfort, novelty with guardrails.
Loos wrote in a period when American money and cultural confidence were increasingly portable, when transatlantic travel was glamorous but also a stage for national self-regard. Her wit catches the paradox of cosmopolitanism as performance. You can claim you’ve “traveled” while spending the whole trip looking for your own reflection - in accents, manners, and the reassuring notion that wherever you go, you’re still the center of the story.
Quote Details
| Topic | Travel |
|---|---|
| Source | Help us find the source |
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