"I am an artist and a political being as well"
About this Quote
There is no safe way to say you are both an artist and political without picking a fight, and Robin Morgan knows it. The line is a compact refusal of two stale myths: that art is supposed to hover above the mess of power, and that politics is supposed to be dry, tactical, and joyless. By declaring herself a "political being" in the same breath as "artist", Morgan collapses that false border. She is signaling that aesthetics are not a side hobby of the righteous; they are one of the ways politics gets felt, spread, remembered.
The phrasing matters. "I am" lands like an ontological claim, not a resume item. She is not saying she makes art and also has opinions; she is saying politics is built into her existence, inseparable from how she perceives and creates. That is classic second-wave feminist insistence, adjacent to "the personal is political", but with an important twist: it restores art as a serious instrument rather than a decorative afterthought. The subtext is aimed at gatekeepers on both sides. To the art world: your neutrality is a pose that usually protects the powerful. To political movements: your suspicion of beauty as frivolity is a strategic error.
Morgan's broader context as a feminist activist and writer makes the line read like a manifesto against compartmentalization. Movements need slogans, stories, poems, and performances because people don't risk their lives for policy memos. Art doesn't just reflect politics; it recruits, consoles, provokes, and keeps score.
The phrasing matters. "I am" lands like an ontological claim, not a resume item. She is not saying she makes art and also has opinions; she is saying politics is built into her existence, inseparable from how she perceives and creates. That is classic second-wave feminist insistence, adjacent to "the personal is political", but with an important twist: it restores art as a serious instrument rather than a decorative afterthought. The subtext is aimed at gatekeepers on both sides. To the art world: your neutrality is a pose that usually protects the powerful. To political movements: your suspicion of beauty as frivolity is a strategic error.
Morgan's broader context as a feminist activist and writer makes the line read like a manifesto against compartmentalization. Movements need slogans, stories, poems, and performances because people don't risk their lives for policy memos. Art doesn't just reflect politics; it recruits, consoles, provokes, and keeps score.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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