"I am constantly getting letters from inconsistancies in the back stories of these characters"
About this Quote
There is a sly confession buried in Joe Murray's line: the audience is paying closer, nerdier attention than the creator ever pretended to demand. "Constantly getting letters" evokes an older, pre-social-media fandom economy, where devotion arrived as mail, not metrics. And what those fans want isn't more jokes or prettier drawings; it's consistency. They are policing continuity like it's a moral contract.
Murray's misspelled "inconsistancies" is almost perfect here, whether accidental or deadpan. It mirrors the very complaint he's receiving, turning the sentence into a tiny, lived example of what happens when human messiness meets a world fans want to be airtight. The subtext reads as: I built these characters to move, gag, and surprise - not to survive forensic accounting. In animation especially, backstory is often a prop you move out of frame when it blocks the timing of a scene. Fans, meanwhile, treat it like scripture.
The intent isn't to dismiss those letters so much as to frame the tension between two kinds of storytelling authority: the maker's improvisational freedom versus the audience's desire for an internally consistent universe. It hints at a cultural shift where characters stop being sketches and become property with "lore", and where viewers feel licensed to litigate contradictions. Murray is naming, with dry practicality, how modern fandom turns imagination into a paperwork-heavy job.
Murray's misspelled "inconsistancies" is almost perfect here, whether accidental or deadpan. It mirrors the very complaint he's receiving, turning the sentence into a tiny, lived example of what happens when human messiness meets a world fans want to be airtight. The subtext reads as: I built these characters to move, gag, and surprise - not to survive forensic accounting. In animation especially, backstory is often a prop you move out of frame when it blocks the timing of a scene. Fans, meanwhile, treat it like scripture.
The intent isn't to dismiss those letters so much as to frame the tension between two kinds of storytelling authority: the maker's improvisational freedom versus the audience's desire for an internally consistent universe. It hints at a cultural shift where characters stop being sketches and become property with "lore", and where viewers feel licensed to litigate contradictions. Murray is naming, with dry practicality, how modern fandom turns imagination into a paperwork-heavy job.
Quote Details
| Topic | Writing |
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