"I am doing better now though one of my legs is shorter than the other due to the operations"
About this Quote
There’s a blunt, almost offhand bravery in how David Prowse frames a life-altering outcome as a footnote. “I am doing better now” leads with reassurance, the socially expected headline, then comes the quiet swerve: “though one of my legs is shorter than the other.” The structure is telling. Recovery is presented as the primary narrative; permanent damage is demoted to a clause, tucked behind “though,” as if it’s impolite to make the listener sit with it.
That’s classic working-performer stoicism: the body as both instrument and liability, discussed in practical terms rather than melodrama. Prowse, a man associated with physical presence and power (most famously the original Darth Vader’s imposing frame), is speaking from the irony of an action-based identity forced to inventory its limits. He doesn’t ask for pity. He’s doing something more controlled: acknowledging cost without granting it the final word.
The phrase “due to the operations” is also doing a lot of moral housekeeping. It implies necessity, not misfortune; a chain of decisions made to survive or function, with consequences that can’t be negotiated away. In a culture that loves “comeback” stories, Prowse’s line refuses the clean arc. He’s better, yes, but “better” includes asymmetry, adaptation, and the unglamorous residue of medical intervention. It’s the kind of truth actors rarely get credited for: not performance, but survival as plain speech.
That’s classic working-performer stoicism: the body as both instrument and liability, discussed in practical terms rather than melodrama. Prowse, a man associated with physical presence and power (most famously the original Darth Vader’s imposing frame), is speaking from the irony of an action-based identity forced to inventory its limits. He doesn’t ask for pity. He’s doing something more controlled: acknowledging cost without granting it the final word.
The phrase “due to the operations” is also doing a lot of moral housekeeping. It implies necessity, not misfortune; a chain of decisions made to survive or function, with consequences that can’t be negotiated away. In a culture that loves “comeback” stories, Prowse’s line refuses the clean arc. He’s better, yes, but “better” includes asymmetry, adaptation, and the unglamorous residue of medical intervention. It’s the kind of truth actors rarely get credited for: not performance, but survival as plain speech.
Quote Details
| Topic | Health |
|---|---|
| Source | Help us find the source |
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