"I am going to be working on bathroom fittings for a company in the USA, and then I thought it was appropriate to simplify the fittings and, thus, lowering the cost"
About this Quote
A Danish modernist talking about bathroom fittings sounds like a comedown from designing the SAS Royal Hotel, but Arne Jacobsen is giving away the whole game: modernism wasn’t just an aesthetic, it was a supply chain. The intent here is almost aggressively practical. He’s not describing a grand vision; he’s describing a workflow. “Simplify the fittings” is Jacobsen’s quiet manifesto for design as reduction, where elegance is inseparable from eliminating parts, steps, and waste.
The subtext is where it gets interesting. A bathroom fitting is the least romantic object in a building, and that’s precisely why it matters. By choosing plumbing hardware as a site for improvement, Jacobsen signals that good design isn’t a luxury layer applied at the end; it’s embedded in the everyday mechanisms people touch without thinking. His phrasing ties “appropriate” directly to “lowering the cost,” treating affordability not as a marketing compromise but as a moral and professional obligation. In modernist terms, democratization happens through standardization.
The U.S. context hints at postwar industrial confidence and scale: American manufacturing could turn a refined Danish instinct for minimalism into mass-produced reality. Jacobsen is negotiating between craft culture and industrial throughput, translating Scandinavian restraint into something a company can tool up and ship. The line is modest, almost dry, but that dryness is the point. It’s design as discipline: fewer pieces, fewer failures, fewer dollars, and a cleaner world hidden behind the tile.
The subtext is where it gets interesting. A bathroom fitting is the least romantic object in a building, and that’s precisely why it matters. By choosing plumbing hardware as a site for improvement, Jacobsen signals that good design isn’t a luxury layer applied at the end; it’s embedded in the everyday mechanisms people touch without thinking. His phrasing ties “appropriate” directly to “lowering the cost,” treating affordability not as a marketing compromise but as a moral and professional obligation. In modernist terms, democratization happens through standardization.
The U.S. context hints at postwar industrial confidence and scale: American manufacturing could turn a refined Danish instinct for minimalism into mass-produced reality. Jacobsen is negotiating between craft culture and industrial throughput, translating Scandinavian restraint into something a company can tool up and ship. The line is modest, almost dry, but that dryness is the point. It’s design as discipline: fewer pieces, fewer failures, fewer dollars, and a cleaner world hidden behind the tile.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
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