Daily Inspiration Quote by Mike Figgis

Curiosity is doing a lot of work here, and it doubles as a quiet flex. When Mike Figgis says he’s “intrigued enough to want to continue,” he frames technology not as a shiny destiny but as an experiment worth pursuing as long as it earns his attention. That’s a director’s mindset: the tool is only as valuable as the images and workflow it unlocks. The phrasing is deliberately provisional. He’s not pledging allegiance to a brand or a format; he’s reserving the right to walk away if the results don’t justify the hassle.

The real tell is the pivot from personal interest to institutional collaboration: “try and work with companies like Sony.” Figgis is positioning himself as a bridge between artists and manufacturers, arguing that camera design shouldn’t be dictated solely by engineers or marketing decks. “Modifying the cameras” implies frustration with off-the-shelf constraints: menus built for specs, not storytelling; rigs optimized for lab tests, not set life; interfaces that waste time when time is the one resource a production never has.

“User-friendly and efficient” sounds like mild, managerial language, but in filmmaking it’s a creative demand. Friction in gear becomes friction in performance: fewer takes, less spontaneity, more crew bandwidth spent troubleshooting instead of composing. Figgis’s intent is practical (make the tools usable), but the subtext is cultural: the filmmaker wants a seat at the table where the future of image-making is decided, before “innovation” calcifies into new forms of inconvenience.