"I am isolated as an artist, not as a person"
About this Quote
Hodgkin’s line draws a clean, almost defensive border between solitude as a creative requirement and loneliness as a life sentence. “Isolated” is usually read as damage or drama, the romantic cliche of the artist marooned with their genius. He refuses that script. The isolation he claims is professional: a chosen condition of work, not a social identity.
That distinction matters because Hodgkin’s paintings, for all their lush color and charged intimacy, were famously private in their making. He worked slowly, obsessively, often returning to a canvas for years. The studio becomes less a hangout than a pressure chamber: a place where outside voices, trends, and even well-meaning feedback can dilute the fragile internal logic of a painting. Saying he’s isolated “as an artist” is a way of protecting the method. It’s also a subtle rebuke to the culture that demands constant visibility and commentary from artists, as if the work must come with a public personality attached.
The second half - “not as a person” - lands as a corrective to the myth that serious art requires a broken social life. Hodgkin had friendships, scenes, dinner tables; he wasn’t auditioning for martyrdom. The subtext is almost managerial: don’t confuse my boundaries with my emotional state. In an era where “relatable” is currency, Hodgkin makes a case for separation: the self can be connected, even warm, while the practice stays deliberately alone.
That distinction matters because Hodgkin’s paintings, for all their lush color and charged intimacy, were famously private in their making. He worked slowly, obsessively, often returning to a canvas for years. The studio becomes less a hangout than a pressure chamber: a place where outside voices, trends, and even well-meaning feedback can dilute the fragile internal logic of a painting. Saying he’s isolated “as an artist” is a way of protecting the method. It’s also a subtle rebuke to the culture that demands constant visibility and commentary from artists, as if the work must come with a public personality attached.
The second half - “not as a person” - lands as a corrective to the myth that serious art requires a broken social life. Hodgkin had friendships, scenes, dinner tables; he wasn’t auditioning for martyrdom. The subtext is almost managerial: don’t confuse my boundaries with my emotional state. In an era where “relatable” is currency, Hodgkin makes a case for separation: the self can be connected, even warm, while the practice stays deliberately alone.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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