"I am just old-fashioned enough to prefer long hair"
About this Quote
A line like this lands because it masquerades as a mild personal preference while quietly staging a whole worldview. Von Stroheim’s “just old-fashioned enough” is doing the heavy lifting: it frames desire as tasteful tradition, not mere lust, and positions him as a man of standards in a culture he implies has drifted. The phrasing is coyly defensive, too. “Enough” suggests a calibrated nostalgia, a gentlemanly pose that preemptively softens what could read as controlling or fetishistic. He isn’t demanding; he’s “preferring.” The charm is in that self-portrait: slightly anachronistic, impeccably sure of himself, and pleased to be out of step.
Coming from von Stroheim, the subtext thickens. His public persona and film work traded on aristocratic affectation and decadent authority - the kind of “old world” masculinity that turns taste into power. Long hair, in early 20th-century popular culture, wasn’t a neutral style note; it carried associations of femininity, romanticism, and a pre-modern softness that modernity (and its bobbed, efficient silhouettes) was busy trimming away. So the “preference” reads like a tiny vote against modern speed and standardization, a bid to keep women framed in a slower, more ornamental register.
It also works as a sly bit of performance: von Stroheim selling himself as both refined and slightly dangerous, the man who remembers how things “should” look. The sentence flatters the speaker’s discernment while reducing the subject to an aesthetic ideal - which is exactly the point.
Coming from von Stroheim, the subtext thickens. His public persona and film work traded on aristocratic affectation and decadent authority - the kind of “old world” masculinity that turns taste into power. Long hair, in early 20th-century popular culture, wasn’t a neutral style note; it carried associations of femininity, romanticism, and a pre-modern softness that modernity (and its bobbed, efficient silhouettes) was busy trimming away. So the “preference” reads like a tiny vote against modern speed and standardization, a bid to keep women framed in a slower, more ornamental register.
It also works as a sly bit of performance: von Stroheim selling himself as both refined and slightly dangerous, the man who remembers how things “should” look. The sentence flatters the speaker’s discernment while reducing the subject to an aesthetic ideal - which is exactly the point.
Quote Details
| Topic | Witty One-Liners |
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