"I am never going to write for the sake of writing"
About this Quote
A line like this is a small manifesto disguised as modesty: Lazarus refusing the romantic myth of the poet as an automatic fountain. "For the sake of writing" names a kind of empty productivity, the literary equivalent of making noise to prove you exist. Her vow pushes back against the market pressure and salon culture of a young American literary scene that increasingly rewarded output, polish, and social circulation. She’s insisting that the poem isn’t a lifestyle; it’s an ethical act.
The intent is discipline, but the subtext is sharper: writing without necessity is a betrayal of attention. Lazarus was a poet who moved from genteel verse toward public moral address, most famously in "The New Colossus", where lyric becomes civic argument. Read through that arc, the line sounds like a threshold moment, a refusal to treat art as decoration when history is demanding testimony. In the late 19th century, with immigration reshaping cities and antisemitism hardening in Europe, her work begins to carry the weight of identity and responsibility. A poet who feels that pressure can’t afford to write merely to keep her name in circulation.
It also doubles as self-protection. For a woman writer navigating patronage, expectations, and the suspicion that female ambition is vanity, this stance converts restraint into authority. She claims a right not just to speak, but to withhold speech until it matters. That’s the quiet power here: a poet defining seriousness as refusal.
The intent is discipline, but the subtext is sharper: writing without necessity is a betrayal of attention. Lazarus was a poet who moved from genteel verse toward public moral address, most famously in "The New Colossus", where lyric becomes civic argument. Read through that arc, the line sounds like a threshold moment, a refusal to treat art as decoration when history is demanding testimony. In the late 19th century, with immigration reshaping cities and antisemitism hardening in Europe, her work begins to carry the weight of identity and responsibility. A poet who feels that pressure can’t afford to write merely to keep her name in circulation.
It also doubles as self-protection. For a woman writer navigating patronage, expectations, and the suspicion that female ambition is vanity, this stance converts restraint into authority. She claims a right not just to speak, but to withhold speech until it matters. That’s the quiet power here: a poet defining seriousness as refusal.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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