"I am not a sound bite person. I prefer to run at the mouth"
About this Quote
Marina Sirtis’s line is a small act of rebellion against the modern media machine: a refusal to shrink a full personality into a portable slogan. “I am not a sound bite person” reads like a defensive caption for anyone who’s ever been flattened by an interview edit, a headline, or the meme-ification of a moment. She’s flagging a mismatch between a performer’s actual voice and the industry’s preferred product: neat, quotable, brand-safe.
Then she swerves into a knowingly messy punchline: “I prefer to run at the mouth.” The phrase is slightly off-kilter, echoing “run at the mouth” instead of the idiom “run off at the mouth,” and that slip is part of the charm. It signals spontaneity, not polish; the joke lands because it performs what it describes. She’s telling you she talks too much by talking in a way that can’t be tidied up.
The subtext is about control. Actresses, especially in press contexts, are often expected to be charmingly concise, grateful, and strategically vague. Sirtis flips that expectation: she’s not auditioning for approval; she’s warning you she’s going to take up space. Coming from someone whose career includes a highly curated, network-era television ecosystem, it’s also a nod to how constrained public speech used to be - and how liberating (and risky) it is to opt out. The intent isn’t just humor; it’s an assertion that the real person is longer than the clip.
Then she swerves into a knowingly messy punchline: “I prefer to run at the mouth.” The phrase is slightly off-kilter, echoing “run at the mouth” instead of the idiom “run off at the mouth,” and that slip is part of the charm. It signals spontaneity, not polish; the joke lands because it performs what it describes. She’s telling you she talks too much by talking in a way that can’t be tidied up.
The subtext is about control. Actresses, especially in press contexts, are often expected to be charmingly concise, grateful, and strategically vague. Sirtis flips that expectation: she’s not auditioning for approval; she’s warning you she’s going to take up space. Coming from someone whose career includes a highly curated, network-era television ecosystem, it’s also a nod to how constrained public speech used to be - and how liberating (and risky) it is to opt out. The intent isn’t just humor; it’s an assertion that the real person is longer than the clip.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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