"I am not political as a person"
About this Quote
There is a small provocation tucked into Wakoski's flat declaration: refusing the label "political" is itself a political move. Coming from a poet who built a career on autobiography, mythic masks, and the high-voltage material of private life, the line reads less like naivete than boundary-setting. Its blunt grammar - "as a person" - is the tell. She is not saying her work has no consequences; she is insisting on a separation between civic identity and the self as lived body: desire, grief, family history, ego.
That insistence matters in the era that shaped her. Wakoski emerges from mid-century American poetry where the confessional and the activist were often forced into a rivalry, and women writers were routinely asked to stand in for a cause. To say "I am not political" can be a way of dodging the expectation that every woman poet must speak as a delegate, not an artist. It also challenges the easy newsroom calculus that biography equals platform.
The subtext is a defense of artistic autonomy with a hint of impatience: let the poem be messy, personal, even contradictory, without being filed under policy. Yet the claim isn't clean. A poet's "person" is made inside institutions - gender, class, academia, publishing - whether she wants the badge or not. Wakoski's line works because it stages that tension: the desire to be taken on aesthetic terms, and the impossibility of stepping fully outside the public arguments that decide whose "private" life counts as literature.
That insistence matters in the era that shaped her. Wakoski emerges from mid-century American poetry where the confessional and the activist were often forced into a rivalry, and women writers were routinely asked to stand in for a cause. To say "I am not political" can be a way of dodging the expectation that every woman poet must speak as a delegate, not an artist. It also challenges the easy newsroom calculus that biography equals platform.
The subtext is a defense of artistic autonomy with a hint of impatience: let the poem be messy, personal, even contradictory, without being filed under policy. Yet the claim isn't clean. A poet's "person" is made inside institutions - gender, class, academia, publishing - whether she wants the badge or not. Wakoski's line works because it stages that tension: the desire to be taken on aesthetic terms, and the impossibility of stepping fully outside the public arguments that decide whose "private" life counts as literature.
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