"I am not this big celebrity, but it gets really crazy. You have to go through the nuts of blowing up, in a sense, and then figuring out how to live your life with that"
About this Quote
There’s a deliberate tug-of-war in Carlton’s phrasing: “I am not this big celebrity, but…” The disclaimer isn’t false modesty so much as a survival tactic, a way of claiming normalcy while admitting that fame doesn’t care how famous you think you are. She frames attention as something that “gets really crazy,” not glamorous, not earned in proportion to talent, just chaotic. That matters coming from a musician whose career ignited fast in the early-2000s pop machine, when a hit could vault you into a public role you never auditioned for.
“Nuts of blowing up” is tellingly unromantic. “Blowing up” is industry slang, but pairing it with “nuts” makes it bodily, messy, vaguely mechanical: the bolts and shrapnel of sudden visibility. She’s describing fame as a process you have to physically pass through, like turbulence, before you can even begin the real work.
Then the sentence turns: “and then figuring out how to live your life with that.” The subtext is that success is not an endpoint; it’s a new environment with different rules. It forces a second identity formation after the first one is interrupted. The “that” is intentionally vague, because the costs are hard to itemize without sounding ungrateful: surveillance, warped relationships, the pressure to keep being “the moment,” the strange grief of losing anonymity while still feeling like yourself.
It’s a pop-era admission that the culture loves the ignition phase, but it leaves artists to handle the aftermath alone.
“Nuts of blowing up” is tellingly unromantic. “Blowing up” is industry slang, but pairing it with “nuts” makes it bodily, messy, vaguely mechanical: the bolts and shrapnel of sudden visibility. She’s describing fame as a process you have to physically pass through, like turbulence, before you can even begin the real work.
Then the sentence turns: “and then figuring out how to live your life with that.” The subtext is that success is not an endpoint; it’s a new environment with different rules. It forces a second identity formation after the first one is interrupted. The “that” is intentionally vague, because the costs are hard to itemize without sounding ungrateful: surveillance, warped relationships, the pressure to keep being “the moment,” the strange grief of losing anonymity while still feeling like yourself.
It’s a pop-era admission that the culture loves the ignition phase, but it leaves artists to handle the aftermath alone.
Quote Details
| Topic | Success |
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