"I am obsessed with beauty. I want everything to be perfect, and of course it isn't. And that's a tough place to be because you're never satisfied"
About this Quote
Mapplethorpe’s perfectionism isn’t a cute creative quirk; it’s a kind of self-inflicted exposure, the photographer turning his own lens inward. “Obsessed with beauty” reads at first like aesthetic devotion, but the next line flips it into confession: wanting “everything to be perfect” is a demand the world cannot meet. The sting sits in “and of course it isn’t” - a blunt acknowledgment that reality will always violate the frame. The result is an addiction without a high: “you’re never satisfied.”
The intent here feels double. On the surface, he’s articulating an artist’s discipline: beauty as standard, rigor as method. Underneath, it’s an admission that the standard isn’t only about the work; it’s about control. Photography promises control - pose, light, composition, the authority of selection - yet it also memorializes what’s fleeting, imperfect, mortal. That tension is baked into Mapplethorpe’s oeuvre, where bodies, flowers, leather, and classical references are made immaculate, even when the subject matter is culturally “messy.” He’s not denying transgression; he’s styling it, insisting it can be formally exquisite.
Context matters: Mapplethorpe’s career sat at the fault line of late-20th-century debates about sexuality, censorship, and public funding. Beauty becomes both shield and weapon. If the images are formally “perfect,” the moral panic around them looks, at minimum, aesthetically illiterate. Still, the quote refuses the comfort of mastery. It’s the cost of making a personal religion out of taste: once perfection becomes the only acceptable outcome, dissatisfaction isn’t a phase - it’s the lifestyle.
The intent here feels double. On the surface, he’s articulating an artist’s discipline: beauty as standard, rigor as method. Underneath, it’s an admission that the standard isn’t only about the work; it’s about control. Photography promises control - pose, light, composition, the authority of selection - yet it also memorializes what’s fleeting, imperfect, mortal. That tension is baked into Mapplethorpe’s oeuvre, where bodies, flowers, leather, and classical references are made immaculate, even when the subject matter is culturally “messy.” He’s not denying transgression; he’s styling it, insisting it can be formally exquisite.
Context matters: Mapplethorpe’s career sat at the fault line of late-20th-century debates about sexuality, censorship, and public funding. Beauty becomes both shield and weapon. If the images are formally “perfect,” the moral panic around them looks, at minimum, aesthetically illiterate. Still, the quote refuses the comfort of mastery. It’s the cost of making a personal religion out of taste: once perfection becomes the only acceptable outcome, dissatisfaction isn’t a phase - it’s the lifestyle.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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