"I am somebody who... - I'm not saying I'm perfect, but I need that freedom, that ability to make mistakes out there. Because there's a fine line between making a mistake or being brilliant"
About this Quote
Milbrett’s ellipsis does a lot of work: it’s the sound of someone refusing the tidy label. Athletes are usually flattened into slogans - “disciplined,” “consistent,” “clutch” - but she starts by asserting messy personhood, then immediately pulls the pin on the most dangerous expectation in elite sport: perfection as a public performance.
“I’m not saying I’m perfect” isn’t humility so much as preemptive defense. It anticipates the headline, the highlight reel, the coach’s clipboard, the fans who treat error like moral failure. What she’s really asking for is oxygen: “that freedom” to fail in real time, in front of people, without being reduced to the mistake. In a culture that turns every miscue into a referendum on effort or character, claiming the right to be imperfect is a radical form of professionalism.
The “fine line” she names is the truth every risk-based sport knows but rarely admits out loud: brilliance is often just error that happened to land. Creative play, audacious decisions, split-second improvisation - these are the same actions that, when they don’t work, get branded as recklessness. Milbrett is arguing for a working definition of excellence that includes volatility. She’s also sketching the emotional economy of competition: fear tightens you, freedom opens you up. The subtext is clear: if you want the spectacular, you have to tolerate the occasional mess.
“I’m not saying I’m perfect” isn’t humility so much as preemptive defense. It anticipates the headline, the highlight reel, the coach’s clipboard, the fans who treat error like moral failure. What she’s really asking for is oxygen: “that freedom” to fail in real time, in front of people, without being reduced to the mistake. In a culture that turns every miscue into a referendum on effort or character, claiming the right to be imperfect is a radical form of professionalism.
The “fine line” she names is the truth every risk-based sport knows but rarely admits out loud: brilliance is often just error that happened to land. Creative play, audacious decisions, split-second improvisation - these are the same actions that, when they don’t work, get branded as recklessness. Milbrett is arguing for a working definition of excellence that includes volatility. She’s also sketching the emotional economy of competition: fear tightens you, freedom opens you up. The subtext is clear: if you want the spectacular, you have to tolerate the occasional mess.
Quote Details
| Topic | Learning from Mistakes |
|---|---|
| Source | Help us find the source |
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