"I am the same person I was before receiving the Nobel Prize. I work with the same regularity, I have not modified my habits, I have the same friends"
About this Quote
Saramago’s modesty here is less a confession than a maneuver: a practiced refusal to let the Nobel Prize rewrite his biography in public. The line works because it’s built like a ledger of continuities - regularity, habits, friends - the ordinary nouns that prestige is supposed to disrupt. By listing them, he turns the prize into an administrative detail, not a coronation. It’s a quiet flex in reverse: the author who won’t be “discovered” by the world because he’s already done the work.
The subtext is sharper than the tone. Saramago knew the Nobel doesn’t just reward literature; it manufactures a symbolic citizen, a voice recruited for moral commentary, national branding, and cultural pageantry. “Same friends” is the key phrase: it signals loyalty to a pre-prize life and skepticism toward the social recalibration that fame demands. He’s also defending a writerly ethic - not the romantic myth of inspiration, but discipline. “Regularity” implies craft, routine, and labor, pushing back against the celebrity logic that treats artistic greatness as sudden transformation.
Context matters: Saramago arrived late to global consecration, after years of political controversy as a Portuguese communist and as a novelist whose work poked at religious and civic authority. The Nobel could have domesticated him into a safe monument. This statement keeps him un-domesticated. He’s telling the world: you can decorate me, but you can’t reassign me.
The subtext is sharper than the tone. Saramago knew the Nobel doesn’t just reward literature; it manufactures a symbolic citizen, a voice recruited for moral commentary, national branding, and cultural pageantry. “Same friends” is the key phrase: it signals loyalty to a pre-prize life and skepticism toward the social recalibration that fame demands. He’s also defending a writerly ethic - not the romantic myth of inspiration, but discipline. “Regularity” implies craft, routine, and labor, pushing back against the celebrity logic that treats artistic greatness as sudden transformation.
Context matters: Saramago arrived late to global consecration, after years of political controversy as a Portuguese communist and as a novelist whose work poked at religious and civic authority. The Nobel could have domesticated him into a safe monument. This statement keeps him un-domesticated. He’s telling the world: you can decorate me, but you can’t reassign me.
Quote Details
| Topic | Humility |
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