"I became quite taken over by Johnson's personality at some points while writing the biography, and since I went straight on to The Closed Circle afterwards, I did sometimes feel I could hear him whispering in my ear while I was working on it"
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There is a sly double-exposure in Coe's admission: the biographer who sets out to pin Boris Johnson down ends up haunted by him. The line is funny because it sounds like possession, but the joke lands on craft as much as character. Writing, especially about a figure built out of performance, becomes a kind of method acting. You study the ticks, the cadences, the evasions; eventually the voice starts to run on its own inside your head. Coe makes that creepily intimate dynamic explicit, turning what could be a dry note about research into a little horror-comedy about proximity to power.
The context matters. Coe wrote a Johnson biography, then moved directly into The Closed Circle, his political novel that anatomizes New Labour's PR-slick pragmatism. The whisper bridges nonfiction and fiction: a suggestion that the same ventriloquism fuels both the charismatic populist and the era's managerial politics. Johnson isn't just a person Coe observed; he's a rhetorical technology that infects the writer's sentence-level choices. That "whispering in my ear" hints at how political language colonizes private thought, how the public script creeps into the workshop.
Subtextually, Coe is also confessing vulnerability. Biographers like to project control, but here the subject exerts gravitational pull. Johnson's persona - clownish, evasive, oddly intimate - is designed to be hard to see around. Coe's line implies that documenting such a figure risks replicating him, letting his voice shape the narrative even as you try to critique it. The real warning isn't about Johnson's charm; it's about the permeability of the storyteller.
The context matters. Coe wrote a Johnson biography, then moved directly into The Closed Circle, his political novel that anatomizes New Labour's PR-slick pragmatism. The whisper bridges nonfiction and fiction: a suggestion that the same ventriloquism fuels both the charismatic populist and the era's managerial politics. Johnson isn't just a person Coe observed; he's a rhetorical technology that infects the writer's sentence-level choices. That "whispering in my ear" hints at how political language colonizes private thought, how the public script creeps into the workshop.
Subtextually, Coe is also confessing vulnerability. Biographers like to project control, but here the subject exerts gravitational pull. Johnson's persona - clownish, evasive, oddly intimate - is designed to be hard to see around. Coe's line implies that documenting such a figure risks replicating him, letting his voice shape the narrative even as you try to critique it. The real warning isn't about Johnson's charm; it's about the permeability of the storyteller.
Quote Details
| Topic | Writing |
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