"I begin with the principle that all men are bores. Surely no one will prove himself so great a bore as to contradict me in this"
About this Quote
Kierkegaard kicks the door open with a paradox disguised as a party joke: if you object to being called a bore, your very objection becomes evidence. The line is a philosophical bear trap, baited with wit. It turns disagreement into self-indictment, not because the claim is airtight, but because the social performance of contradiction so often is: correcting, clarifying, insisting on one’s exceptionality. He’s mocking the ego’s reflex to prove itself interesting.
The intent isn’t to endorse a bleak anthropology so much as to expose how quickly “the self” curdles into tedium when it’s preoccupied with being seen. Kierkegaard’s Denmark was full of salon culture, polite chatter, respectable opinion-making - the sort of public life where seriousness gets swapped for posture. Calling “all men” bores is a jab at that flattening, at the way modernity trains people to become predictable: repeating the same moralities, the same ambitions, the same anxieties, just with different hats.
There’s also a theological and existential sting under the comedy. For Kierkegaard, the crowd is the enemy of authentic inwardness; boredom is what happens when you live on the surface, when you outsource meaning to social scripts. The second sentence, with its faux-courteous “Surely,” weaponizes manners. It dares the reader to stay silent, to resist the itch to self-correct. The joke is that the only non-boring response might be to refuse the game entirely - to choose inwardness over the cheap thrill of winning an argument.
The intent isn’t to endorse a bleak anthropology so much as to expose how quickly “the self” curdles into tedium when it’s preoccupied with being seen. Kierkegaard’s Denmark was full of salon culture, polite chatter, respectable opinion-making - the sort of public life where seriousness gets swapped for posture. Calling “all men” bores is a jab at that flattening, at the way modernity trains people to become predictable: repeating the same moralities, the same ambitions, the same anxieties, just with different hats.
There’s also a theological and existential sting under the comedy. For Kierkegaard, the crowd is the enemy of authentic inwardness; boredom is what happens when you live on the surface, when you outsource meaning to social scripts. The second sentence, with its faux-courteous “Surely,” weaponizes manners. It dares the reader to stay silent, to resist the itch to self-correct. The joke is that the only non-boring response might be to refuse the game entirely - to choose inwardness over the cheap thrill of winning an argument.
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| Topic | Witty One-Liners |
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