"I believe food is the most brilliant invention ever"
About this Quote
Calling food “the most brilliant invention ever” is a model’s disarmingly democratic flex: a reminder that the most sophisticated luxury isn’t a handbag or a runway booking, it’s the one thing everyone needs and almost everyone argues about. Helena Christensen isn’t positioning herself as a chef or a scientist; she’s borrowing the language of tech worship - “invention,” “brilliant” - and pointing it at something ancient, tactile, and stubbornly un-virtual. In a culture trained to treat innovation as apps and algorithms, she reframes ingenuity as survival plus pleasure.
The intent feels less like a literal claim than a values statement. Food is invention not because humans created matter, but because we endlessly redesign it: fermentation, preservation, regional cuisines built from scarcity, family recipes that outlast trends. That word “brilliant” smuggles in admiration for the quiet intelligence of everyday life - the kind that doesn’t need a keynote to be real.
The subtext also lands differently coming from someone whose industry has historically policed bodies. A model praising food reads as a soft rebellion against the aesthetic economy that rewards restriction. It’s not a manifesto, but it nudges the conversation away from food as threat (calories, control, “clean” rules) and toward food as culture, connection, and permission.
Context matters: Christensen has long been framed as more than a face - a photographer, an observer, someone with an eye for texture and atmosphere. Food, like fashion, is sensual and communal; unlike fashion, it’s unavoidable. That’s the punchline and the power.
The intent feels less like a literal claim than a values statement. Food is invention not because humans created matter, but because we endlessly redesign it: fermentation, preservation, regional cuisines built from scarcity, family recipes that outlast trends. That word “brilliant” smuggles in admiration for the quiet intelligence of everyday life - the kind that doesn’t need a keynote to be real.
The subtext also lands differently coming from someone whose industry has historically policed bodies. A model praising food reads as a soft rebellion against the aesthetic economy that rewards restriction. It’s not a manifesto, but it nudges the conversation away from food as threat (calories, control, “clean” rules) and toward food as culture, connection, and permission.
Context matters: Christensen has long been framed as more than a face - a photographer, an observer, someone with an eye for texture and atmosphere. Food, like fashion, is sensual and communal; unlike fashion, it’s unavoidable. That’s the punchline and the power.
Quote Details
| Topic | Food |
|---|---|
| Source | Help us find the source |
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