"I believe in communication; books communicate ideas and make bridges between people"
About this Quote
Winterson’s faith in “communication” isn’t the bland plea for everyone to just talk more; it’s a novelist’s hard-earned argument that language is infrastructure. “Books communicate ideas” sounds almost self-evident, but the line pivots on the second clause: books don’t merely transmit content, they “make bridges between people.” That verb choice matters. Bridges imply distance, obstacles, and risk. They’re built, engineered, maintained. Winterson is insisting that connection is an act of craft, not a vibe.
The intent is quietly polemical. In an era that treats reading as either elite refinement or quaint hobby, she reframes the novel as civic technology: a device for crossing boundaries of class, desire, geography, and time. Coming from a writer whose work often tests the borders of identity and narrative form, the subtext is also personal: if your life doesn’t match the dominant script, books become a way to be intelligible to others and to yourself. Communication here isn’t small talk; it’s recognition.
Contextually, Winterson belongs to a generation of British writers shaped by late-20th-century culture wars around sexuality, education, and who gets to tell stories. Her bridge metaphor pushes back against the idea that literature is an escape hatch. It’s closer to a meeting point: you enter someone else’s interiority and come back altered, with new language for empathy and disagreement. The promise isn’t harmony; it’s contact.
The intent is quietly polemical. In an era that treats reading as either elite refinement or quaint hobby, she reframes the novel as civic technology: a device for crossing boundaries of class, desire, geography, and time. Coming from a writer whose work often tests the borders of identity and narrative form, the subtext is also personal: if your life doesn’t match the dominant script, books become a way to be intelligible to others and to yourself. Communication here isn’t small talk; it’s recognition.
Contextually, Winterson belongs to a generation of British writers shaped by late-20th-century culture wars around sexuality, education, and who gets to tell stories. Her bridge metaphor pushes back against the idea that literature is an escape hatch. It’s closer to a meeting point: you enter someone else’s interiority and come back altered, with new language for empathy and disagreement. The promise isn’t harmony; it’s contact.
Quote Details
| Topic | Book |
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