"I believe more in the scissors than I do in the pencil"
About this Quote
Capote is confessing a literary heresy: the glamorous part of writing isn’t the inspiration, it’s the deletion. “Pencil” stands in for the romantic myth of the author as a fountain of brilliance, pouring out sentences like divine dictation. “Scissors” is the cold instrument of control, the editor’s blade, the willingness to admit that your first thought is usually your most self-indulgent one. It’s a boast, but not the macho kind. Capote is bragging about discipline.
The line works because it’s both practical and vaguely violent. Scissors imply cutting, surgery, a deliberate act that changes the body of the work. You don’t “revise” with scissors; you remove tissue. That choice of tool carries subtext about taste: art isn’t what you add, it’s what you can bear to take away. It’s also a quiet flex about status. Anyone can draft; not everyone can recognize what doesn’t belong and throw it out without flinching.
Context matters: Capote’s career is a tug-of-war between meticulous craftsmanship and performative personality. He cultivated the image of the dazzling talker, but his best work - especially In Cold Blood - depends on selection, shaping, omission, the architecture of narrative. The quote nods to journalism, too: the scissors evoke the old newsroom “copy desk” mentality, where clarity is earned by trimming. Capote isn’t rejecting imagination; he’s insisting that style is an act of ruthless kindness to the reader.
The line works because it’s both practical and vaguely violent. Scissors imply cutting, surgery, a deliberate act that changes the body of the work. You don’t “revise” with scissors; you remove tissue. That choice of tool carries subtext about taste: art isn’t what you add, it’s what you can bear to take away. It’s also a quiet flex about status. Anyone can draft; not everyone can recognize what doesn’t belong and throw it out without flinching.
Context matters: Capote’s career is a tug-of-war between meticulous craftsmanship and performative personality. He cultivated the image of the dazzling talker, but his best work - especially In Cold Blood - depends on selection, shaping, omission, the architecture of narrative. The quote nods to journalism, too: the scissors evoke the old newsroom “copy desk” mentality, where clarity is earned by trimming. Capote isn’t rejecting imagination; he’s insisting that style is an act of ruthless kindness to the reader.
Quote Details
| Topic | Writing |
|---|---|
| Source | Truman Capote , quote: "I believe more in the scissors than I do in the pencil" , cited on Wikiquote (Truman Capote page). |
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