"I believe that acting in any medium is the same thing, it's discovering the truth in where you are"
About this Quote
Garber’s line is a quiet rebuke to the myth that “real” acting belongs to the stage while film and TV are somehow lesser, more technical, more manufactured. Coming from an actor who’s moved fluidly between theater, prestige television, and studio films, the intent feels less like theory and more like a hard-earned survival principle: stop fetishizing the format and commit to the moment in front of you.
The key move is his phrasing, “discovering the truth,” which frames acting as excavation rather than performance. He’s not talking about broadcasting emotion or showing range; he’s talking about locating the honest impulse that fits the circumstances - your scene partner’s rhythm, the camera’s intimacy, the audience’s breath, the blocking you can’t ignore. “Where you are” does double duty: it’s literal (a stage, a set, a green screen) and psychological (the character’s immediate reality, the actor’s own presence). The subtext is pragmatic: great acting isn’t portable because it’s universal; it’s portable because it’s responsive.
In the current media ecosystem, where actors jump from streaming series to Broadway runs to franchise work, Garber’s claim lands as a cultural leveling device. It argues against the snobberies that cling to medium, and it also pressures the actor to drop excuses. If the craft is the same, then the responsibility is the same: to find something unforced and specific inside constraints you didn’t choose. Truth, in his view, isn’t purity - it’s adaptation without self-betrayal.
The key move is his phrasing, “discovering the truth,” which frames acting as excavation rather than performance. He’s not talking about broadcasting emotion or showing range; he’s talking about locating the honest impulse that fits the circumstances - your scene partner’s rhythm, the camera’s intimacy, the audience’s breath, the blocking you can’t ignore. “Where you are” does double duty: it’s literal (a stage, a set, a green screen) and psychological (the character’s immediate reality, the actor’s own presence). The subtext is pragmatic: great acting isn’t portable because it’s universal; it’s portable because it’s responsive.
In the current media ecosystem, where actors jump from streaming series to Broadway runs to franchise work, Garber’s claim lands as a cultural leveling device. It argues against the snobberies that cling to medium, and it also pressures the actor to drop excuses. If the craft is the same, then the responsibility is the same: to find something unforced and specific inside constraints you didn’t choose. Truth, in his view, isn’t purity - it’s adaptation without self-betrayal.
Quote Details
| Topic | Art |
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