"I believe that music is connected by human passions and curiosities rather than by marketing strategies"
About this Quote
Costello is taking aim at an industry that loves to pretend it’s merely documenting taste when it’s often manufacturing it. By insisting music is “connected” through “human passions and curiosities,” he frames listening as a lived, messy practice: people follow obsessions, borrow identities, chase feelings, fall down rabbit holes. That verb matters. “Connected” suggests a web of influence and discovery that happens despite gatekeepers, not because of them.
The subtext is a quiet rebuke to the categories that have long corralled music into saleable lanes: genre silos, demographic targeting, the neat narratives that turn artists into “products” with “positioning.” Costello came up when radio formats hardened and labels learned to segment audiences with scientific confidence; he also spent his career ricocheting between punk, country, soul, and orchestral work. The quote doubles as self-defense: eclecticism isn’t a brand quirk, it’s how musical desire actually behaves.
“Marketing strategies” is pointedly bloodless language, the corporate euphemism for deciding what gets amplified and what gets starved. Costello’s counterproposal isn’t romantic naivete; it’s a claim about endurance. Songs survive because they attach themselves to private moments and collective moods, not because a campaign lands. He’s arguing for an older, stubbornly human circuitry: the friend who hands you a mixtape, the late-night DJ, the unexpected cover version, the lyric that becomes a talisman. In the age of playlists and algorithmic “discovery,” the line reads even sharper: curiosity is not a funnel, and passion doesn’t click through.
The subtext is a quiet rebuke to the categories that have long corralled music into saleable lanes: genre silos, demographic targeting, the neat narratives that turn artists into “products” with “positioning.” Costello came up when radio formats hardened and labels learned to segment audiences with scientific confidence; he also spent his career ricocheting between punk, country, soul, and orchestral work. The quote doubles as self-defense: eclecticism isn’t a brand quirk, it’s how musical desire actually behaves.
“Marketing strategies” is pointedly bloodless language, the corporate euphemism for deciding what gets amplified and what gets starved. Costello’s counterproposal isn’t romantic naivete; it’s a claim about endurance. Songs survive because they attach themselves to private moments and collective moods, not because a campaign lands. He’s arguing for an older, stubbornly human circuitry: the friend who hands you a mixtape, the late-night DJ, the unexpected cover version, the lyric that becomes a talisman. In the age of playlists and algorithmic “discovery,” the line reads even sharper: curiosity is not a funnel, and passion doesn’t click through.
Quote Details
| Topic | Music |
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