Art & Creativity Quote by Nobuo Uematsu

Uematsu’s phrasing reads like an artist gently backing out of a room he helped build. The line is almost comically cautious: “potentially possible,” “in my mind,” “several things,” “being contemplated.” That pileup of qualifiers isn’t indecision so much as diplomacy. In an industry where beloved composers get treated like permanent franchise fixtures, he’s asserting creative autonomy without lighting the fandom on fire. It’s a soft-launch of reinvention.

The intent is practical and reputational. Uematsu isn’t denigrating game music; he’s widening the frame. By naming “many interesting projects” outside it, he signals that game scoring was never meant to be a life sentence, even if the public mythos wants it to be. The subtext: I’ve earned the right to be more than your nostalgia. He’s also quietly resisting the way games can consume their makers, locking them into sequels, expectations, and a style that must forever rhyme with earlier triumphs.

Context matters: Uematsu came up during an era when game composers were often invisible, their work constrained by hardware and corporate branding. His later celebrity flips that dynamic into a new trap: visibility becomes obligation. This quote navigates that bind with careful neutrality. No dramatic manifesto, no bitter exit interview. Just a composer leaving the door open, while making sure everyone notices he’s found other doors.

What makes it work is its restraint. He doesn’t demand permission, but he also doesn’t pick a fight. He simply reclaims the future as an option.