"I came to join the Experience by going for an audition for Eric Burdon who was just forming the New Animals at that point, after the original Animals had broken up"
About this Quote
Career-making accidents rarely look heroic in retrospect; they look like this: a working musician chasing one audition and stumbling into another band’s mythology. Noel Redding frames his entry into the Jimi Hendrix Experience as a practical detour, not a destiny. The phrasing is almost deliberately deflating: he “came to join” by “going for an audition” for Eric Burdon, who was “just forming” a rebooted Animals. It’s music-industry life at street level, where the next gig is a chain of introductions, timing, and someone else’s breakup.
The context does a lot of heavy lifting. Mid-’60s British rock is in churn: groups fracture, managers reshuffle talent, and “new” versions of established acts get assembled to keep the brand alive. Redding’s mention of the “original Animals” breaking up signals that ecosystem: the old guard splintering, the scene reconfiguring. His choice to name Burdon grounds the story in a credible, working circuit rather than psychedelic legend.
The subtext is a quiet correction to the way rock history is usually sold. The Experience often gets narrated like fate: Hendrix arrives, a trio materializes, lightning strikes. Redding’s memory insists on contingency. He wasn’t auditioning for greatness; he was auditioning for employment. That modesty also protects his agency: by emphasizing the route rather than the miracle, he positions himself as a musician navigating opportunity, not a satellite pulled into Hendrix’s orbit. It’s an origin story that resists mythmaking by reminding you how myths are staffed.
The context does a lot of heavy lifting. Mid-’60s British rock is in churn: groups fracture, managers reshuffle talent, and “new” versions of established acts get assembled to keep the brand alive. Redding’s mention of the “original Animals” breaking up signals that ecosystem: the old guard splintering, the scene reconfiguring. His choice to name Burdon grounds the story in a credible, working circuit rather than psychedelic legend.
The subtext is a quiet correction to the way rock history is usually sold. The Experience often gets narrated like fate: Hendrix arrives, a trio materializes, lightning strikes. Redding’s memory insists on contingency. He wasn’t auditioning for greatness; he was auditioning for employment. That modesty also protects his agency: by emphasizing the route rather than the miracle, he positions himself as a musician navigating opportunity, not a satellite pulled into Hendrix’s orbit. It’s an origin story that resists mythmaking by reminding you how myths are staffed.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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