"I can goof around with other people right up to when we shoot"
About this Quote
Professionalism is Anderson’s quiet flex, but she delivers it in the casual language of someone who refuses to mythologize her own process. “Goof around” is deliberately unglamorous: not “prepare,” not “center,” not any of the prestige-actor verbs that invite reverence. She’s describing a switch you can almost hear click. Up until the moment the camera rolls, she’s social, loose, human. Then “when we shoot” arrives like a hard boundary, a workplace siren that turns play into precision.
The intent reads as both reassurance and correction. Reassurance to co-workers and fans that she isn’t a permanently intense method monk. Correction to the idea that great acting requires constant solemnity. The subtext: craft is portable. You don’t have to be emotionally marinating for hours; you have to be able to access the work on command. That’s a very actorly kind of power, especially in TV and film where performance is fractured into takes, angles, resets, interruptions.
Context matters because Anderson’s career has been built inside tightly managed machines: long-running productions, ensemble dynamics, high expectations, the X-Files-era microscope of fandom and press. “We shoot” also makes it collective. This isn’t an artist alone with her muse; it’s a crew schedule, a shared rhythm, a respect for everyone’s time. The line works because it demystifies excellence while still implying rigor: she can joke right up to the edge precisely because she knows she won’t fall off it.
The intent reads as both reassurance and correction. Reassurance to co-workers and fans that she isn’t a permanently intense method monk. Correction to the idea that great acting requires constant solemnity. The subtext: craft is portable. You don’t have to be emotionally marinating for hours; you have to be able to access the work on command. That’s a very actorly kind of power, especially in TV and film where performance is fractured into takes, angles, resets, interruptions.
Context matters because Anderson’s career has been built inside tightly managed machines: long-running productions, ensemble dynamics, high expectations, the X-Files-era microscope of fandom and press. “We shoot” also makes it collective. This isn’t an artist alone with her muse; it’s a crew schedule, a shared rhythm, a respect for everyone’s time. The line works because it demystifies excellence while still implying rigor: she can joke right up to the edge precisely because she knows she won’t fall off it.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
More Quotes by Gillian
Add to List





