"I can never have a poker face. Anybody looking at me can tell exactly what I'm thinking"
About this Quote
Rowlands turns a supposed weakness into an actor's brag, and she does it with the plainspoken clarity of someone who knows her instrument: her face. "I can never have a poker face" sounds like a confession from everyday life, but in the mouth of a performer it’s also a quiet manifesto. The line frames transparency not as naivete, but as inevitability. She’s not choosing openness; she’s built for it.
The subtext is about control. A "poker face" is social armor, a way to ration access to your interior life. Rowlands rejects that bargain, and the rejection carries a dare: if you can read me, you still have to deal with what you see. That’s a very Rowlands energy, especially in the Cassavetes orbit where acting isn’t polish, it’s exposure. Her best performances don’t hide the machinery of feeling; they let you watch it kick and sputter and surge. The point isn’t to be liked. It’s to be legible in a way that makes people squirm.
Context matters, too: Hollywood trains actors to be controlled, camera-ready, strategically mysterious. Rowlands, by contrast, built a legacy on emotional immediacy, the kind that can’t be faked because it isn’t curated. The quote doubles as a refusal of celebrity calculation. If the audience "can tell exactly what I'm thinking", then the performance becomes less a mask than an agreement: I’ll show you the truth, and you can’t pretend you didn’t notice.
The subtext is about control. A "poker face" is social armor, a way to ration access to your interior life. Rowlands rejects that bargain, and the rejection carries a dare: if you can read me, you still have to deal with what you see. That’s a very Rowlands energy, especially in the Cassavetes orbit where acting isn’t polish, it’s exposure. Her best performances don’t hide the machinery of feeling; they let you watch it kick and sputter and surge. The point isn’t to be liked. It’s to be legible in a way that makes people squirm.
Context matters, too: Hollywood trains actors to be controlled, camera-ready, strategically mysterious. Rowlands, by contrast, built a legacy on emotional immediacy, the kind that can’t be faked because it isn’t curated. The quote doubles as a refusal of celebrity calculation. If the audience "can tell exactly what I'm thinking", then the performance becomes less a mask than an agreement: I’ll show you the truth, and you can’t pretend you didn’t notice.
Quote Details
| Topic | Honesty & Integrity |
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