"I can see every monster as they come in"
About this Quote
Capote’s line lands like a quiet brag and a shiver at once: the speaker isn’t just afraid of monsters, he’s familiar with them. “I can see” signals a kind of practiced vigilance, the hard-earned skill of someone who has learned to read a room the way other people read weather. The monsters don’t erupt; they “come in,” as if evil is social, mobile, even polite enough to use the door. That small verb choice makes the threat feel intimate and everyday, less horror-movie and more dinner-party.
The intent is self-positioning. Capote, the novelist-as-observer, implies an almost predatory sensitivity to character: he spots danger, deception, or cruelty before it announces itself. The subtext is darker: recognition implies resemblance. If you can reliably identify monsters, it may be because you’ve lived close to them, or because you’re carrying a private catalog of what they look like when they’re trying to pass. There’s also an implicit exhaustion here. Seeing them “as they come in” suggests a recurring cycle, not a one-off trauma.
Contextually, the quote fits Capote’s public persona and literary project: the dandy with a blade, the gossip-court insider who understood how charm can be a weapon. In works like In Cold Blood, he anatomizes violence without blinking, but also without pretending it’s foreign. This sentence compresses that ethic into a single, ominously domestic image: monstrosity isn’t “out there.” It walks in, takes a seat, and waits for you to notice.
The intent is self-positioning. Capote, the novelist-as-observer, implies an almost predatory sensitivity to character: he spots danger, deception, or cruelty before it announces itself. The subtext is darker: recognition implies resemblance. If you can reliably identify monsters, it may be because you’ve lived close to them, or because you’re carrying a private catalog of what they look like when they’re trying to pass. There’s also an implicit exhaustion here. Seeing them “as they come in” suggests a recurring cycle, not a one-off trauma.
Contextually, the quote fits Capote’s public persona and literary project: the dandy with a blade, the gossip-court insider who understood how charm can be a weapon. In works like In Cold Blood, he anatomizes violence without blinking, but also without pretending it’s foreign. This sentence compresses that ethic into a single, ominously domestic image: monstrosity isn’t “out there.” It walks in, takes a seat, and waits for you to notice.
Quote Details
| Topic | Fear |
|---|
More Quotes by Truman
Add to List








