"I can sing, but my voice is untrained. I'd like to do a musical someday"
About this Quote
There is a particular kind of candor in admitting you can do the thing, but not “properly.” Fenn’s line lands in that gap between natural ability and institutional permission: “I can sing” is a stake in the ground, then “but my voice is untrained” instantly anticipates the gatekeepers who love talent only after it’s been sanded into a credential. It’s not self-deprecation so much as preemptive negotiation with an industry that treats “training” as both a safety net and a shibboleth.
The second sentence, “I’d like to do a musical someday,” shifts the mood from defense to desire. The word “someday” does a lot of work: it’s hopeful, but it’s also a protective hedge, acknowledging the reality that actors don’t always choose their own lanes. In a career shaped by audiences projecting mystique and type onto her, wanting a musical reads like a bid to be seen as more than an image. Musicals demand vulnerability with the volume turned up; you can’t hide behind subtext when you have to hit a note on camera.
Context matters here: for performers of Fenn’s generation, musical roles often function as proof-of-range opportunities, a way to reintroduce yourself to casting directors and the public. The quote is quietly strategic. It says: I have an untapped tool, I respect the craft, and I’m still hungry to surprise you.
The second sentence, “I’d like to do a musical someday,” shifts the mood from defense to desire. The word “someday” does a lot of work: it’s hopeful, but it’s also a protective hedge, acknowledging the reality that actors don’t always choose their own lanes. In a career shaped by audiences projecting mystique and type onto her, wanting a musical reads like a bid to be seen as more than an image. Musicals demand vulnerability with the volume turned up; you can’t hide behind subtext when you have to hit a note on camera.
Context matters here: for performers of Fenn’s generation, musical roles often function as proof-of-range opportunities, a way to reintroduce yourself to casting directors and the public. The quote is quietly strategic. It says: I have an untapped tool, I respect the craft, and I’m still hungry to surprise you.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
More Quotes by Sherilyn
Add to List






